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...play that dare not speak its name. In London the title of Mark Ravenhill's first work for the stage was obscured by discreet asterisks. In the U.S., where the ethics of oral sex is now bandied about on the evening news, the full obscenity has been restored, thus preventing most publications (including this one) from printing the play's name. But Shopping and F______ is more than just a shock-provoking title. The play opens with a character vomiting, assaults us with rough language and features brutally graphic scenes of sadomasochistic sex. Ah, the magic of live theater...

Author: /time Magazine | Title: Theater: Assault Play | 2/16/1998 | See Source »

Most career civil servants like Tripp, especially those trusted enough to work in the White House, are ferociously competent and unrelentingly discreet. They often stay for decades, and they keep their mouth shut. Tripp was different. She was seen as a schoolmarm, a bit obsessed with improprieties she saw around her. She once turned in an Army reservist for "petty wrongdoing," according to the Washington Post, and consequently got the man fired...

Author: /time Magazine | Title: Clinton's Crisis: Hot Off The Wiretap | 2/2/1998 | See Source »

...much depends on whether Lewinsky testifies against them. Starr might have trouble getting a conviction for suborning perjury if all the principals agree it didn't happen. And again, much would turn on context and precise words. If the two men just gave her general advice to be discreet--not advising her about what to say in a deposition--it would be perfectly legal. Even if they were referring to the deposition, it would depend on how specific the advice to misrepresent the truth was. "It's not suborning perjury to say you shouldn't volunteer something," says Northwestern University...

Author: /time Magazine | Title: Clinton's Crisis: The Burden Of Proof | 2/2/1998 | See Source »

...allowed his guitar playing to take the forefront, plucking lead lines with gusto. Reappearing from backstage for his first encore, Dylan delivered a marathon version of "Highway 61 Revisited" in which he traded bluesy licks with his lead guitarist. During several such moments in his performance, Dylan allowed discreet grins to betray the pleasure he was finding in these vigorous interpretations of his compositions...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Aging Dylan Offers Intimate, Energy-Infused Collection of Rock Classics | 12/12/1997 | See Source »

After Hodgkinson's applause-accompanied exit from the stage and the discreet lowering of the lid of his piano, conductor James Yannatos took his place in front and led the orchestra into--surprise--Dallapiccola's Variations for Orchestra, a reiteration of the themes that had just resounded from the piano. If the atonal phrases had been disjointed in the piano score, they were fully severed and disconcertingly tossed together in the full orchestral rendition. Rhythms and chords seem to collide haphazardly; though the multi-instrumental texture of the piece gave greater depth to Dallapiccola's notes than the solo piano...

Author: By Andrea H. Kurtz, CONTRIBUTING WRITER | Title: Dazzling HRO Mixes Old and New Classical | 12/12/1997 | See Source »

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