Word: disdain
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Dates: during 1960-1969
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...yearning for "meaningful" careers (in the current cliche) is largely confined to the upper-middle-class white students. The majority of students remain reasonably content with traditional careers. In general, the children of blue-collar workers and Negro students strive to attain the very jobs that many privileged whites disdain. Most students have no special quarrel with the profit motive, and an estimated 30% of all graduates go into business. As a senior at Columbia University puts it: "I think it's great that all the academic virtuosos are turning up their noses at the good business jobs...
Perhaps from disdain, perhaps from a remove of age and philosophy, Jancso never ties his story or his sympathies to any main character. To him, all the high cheekbones and fierce mustaches, all the tired, tragic faces are one. The viewer must be content (or disturbed) with a vision trained on people but not on persons. Though Jancso is sometimes eclectic, he borrows only from the best, from the wintry compositions of Ingmar Bergman or from Goya's acid Disasters of War. At his most original, the director resembles neither film maker nor painter. In his own deep-dimensioned...
Despite his age, Grigorenko cedes nothing to his associates in his distaste for autarchy or disdain for government attempts to muzzle dissent. When his old army comrades were about to invade Czechoslovakia, Grigorenko paid a call at the Czechoslovak embassy to advertise his approval of the Dubček liberalization program. At the funeral of Writer Aleksei Kosterin (TIME, Nov. 22), a longtime friend, he turned his eulogy at Moscow's crematory hall into an eloquent attack on "totalitarianism that hides behind the master of so-called Soviet democracy...
Some bodies, of course, are better off concealed. Designers are unanimous in warning anyone with so much as an extra pound of flesh to stick to the old shirtdress. Steven Brody, one of the innovators of the Cadoro breastplate (see color pages), recalls with disdain an overendowed woman in a see-through blouse: "It was not appetizing. There she was, just bouncing along. Flippety flop." Designer Jon Haggins, himself a slim, trim 165 Ibs., adds that "our customer has to be between 19 and 35, with a firm body, not absolutely flat and not busty either...
Such moments are isolated in a screenplay that is full of mocking disdain and covered with an insincere bonhomie. From now on, Jean-Luc Godard may have to train his insights elsewhere. After all, why bother to guillotine a victim who is busy poisoning himself...