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...bittersweet vignette about an unhappy housewife (Karen Ziemba) who takes refuge in increasingly wild fantasies of life as a ballerina. Contact, the finale, shows what happens when a despondent advertising man (Boyd Gaines) botches a suicide attempt, wanders into a swing-dancing joint and lays eyes on a mysterious dish dressed in yellow (Deborah Yates...

Author: /time Magazine | Title: Dance: We Have Contact | 10/18/1999 | See Source »

...research utilizes single-dish and interferometric ground-based observatories," she said...

Author: By Garrett M. Graff, CONTRIBUTING WRITER | Title: Goodman Receives Astronomy Tenure | 10/8/1999 | See Source »

...music venue. The stage takes, well, centerstage in a room plastered with rock n' roll obituaries. The new big thing here is Monsta Mondays, featuring local and touring old school rock bands. This continues the tradition started in the now defunct Mama Kin. Sundays feature reggae and Underground Thursdays dish up anything alternative. Everybody's a friend here. Talk to any of the staff, all of whom belong to one band or another, to find out what's going on in the underground...

Author: By Phua MEI Pin and Annie K. Zaleski, S | Title: Show Me the Music! Where to go... | 9/24/1999 | See Source »

...insolent accents and attitudes. "There we were, like an uncensored movie," says Harlow of one tryst in Red-Headed Woman (she fornicates her way up the social ladder, gets found out and lands in Paris with a new sugar daddy and a stud chauffeur). These guys and dolls could dish it out and just as surely take it. Even glamour types felt the sting of the Depression. In Blonde Venus, Marlene Dietrich sells her virtue for the price of a meal for herself and her child: 85[cents...

Author: /time Magazine | Title: Cinema: Back to the Dirty '30s | 8/30/1999 | See Source »

...Passion... Heartbreak...Success...Glory" with an Aristotelian three-act structure--rise, fall and rehab--and florid narration: Tom Petty and the Heartbreakers "came out of the South--driven by jangling guitars and led by a rock-'n'-roll rebel!" E!'s True Hollywood Story is tart and eager to dish dirt. Compare an Intimate Portrait on Natalie Wood, filled with warm family reminiscences, with E!'s dark narrative of despair and drugs that pulled the series' second-highest rating. "Some of our stories end happily, some don't," says E! vice president of original programming Betsy Rott...

Author: /time Magazine | Title: Television: Bio Sphere | 8/23/1999 | See Source »

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