Word: dishing
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Considering the low-profile release of his debut album, Richard Morel has surprisingly hefty credentials. A former engineer for U.S. house auteurs Deep Dish, he’s gone on to remix the likes of Depeche Mode and New Order. Queen of the Highway, then, is intended as his claim to fame, or at least musical autonomy. Apparently designed to showcase the breadth of his abilities, it sets mid-tempo guitar numbers and downtempo head-nodders next to the progressive house for which he’s best known...
...pork on Monday, but [Nyhan] didn’t and our other roommate had it but didn’t get sick,” Tran said. “We didn’t eat anything in common so it couldn’t have been any one dish that was undercooked...
...onto a round grill. We watch as she nonchalantly cracks two eggs over the clear taro and smooths the mixture into a perfect circle. She then sprinkles plump oysters over the omelette and folds it all together. Served with a sweet and spicy sauce, one uhwajian, as the oyster dish is called, splits well between two people, leaving room for more of the night market's delights. And there are many. Tangyuan, gnocchi-shaped parcels of rice paste filled with meat and scallions, are especially delicious, but pause a moment before popping the piping-hot morsels into your mouth...
...sound—overlaying an ethereal instrumental sample onto a jagged, edgy beat. With that exception, the set’s first half was dominated by heavy bass rhythms without much of the airy, dreamy vocal samples that have characterized trance’s radio-friendly appeal. Deep Dish exemplified their love affair with the beat by adopting as a motif one relatively simple clip that began as the main beat, then migrated around and through the layers of music. By the end of thirty minutes, it had appeared—delightfully—in virtually every layer...
...pair skillfully manipulated their sound, here bringing up the underlying bass track, there turning up a wispy vocal. Anthems like one based around a spoken “Underground” sample were most successful in bringing a raucous crowd response. Deep Dish punctuated an otherwise continuously driving sound every ten to 20 minutes with climactic flourishes that inevitably brought noisy approval and renewed the dancing. Trite as it may sound, diversity was a key component of Deep Dish’s music. Ranging from gruff spoken words to exotic Middle Eastern sounds, their samples were not limited...