Word: disjunctions
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Michael Eric Dyson's article spells out with exquisite precision the fundamental disjunct between two communities highlighted in the recent flap over the Rev. Jeremiah Wright [May 5]. Patriotism rather than nationalism remains one of the striking differences found in the majority of black American churches. An unjaundiced assessment of our nation's moral standing along with a willingness to call it stridently to account have long been evident in black church pulpits. Yet there is a simultaneous call to good citizenship and a grateful acknowledgment of our country's wonderful opportunities. In sum, we love our country rather than...
...which pairs of movements (one and five, two and four) are related, while the middle movement "night music" stands on its own. Furthermore, as Corigliano wrote in the program notes, "the symphony is based upon a motto composed of even repetitions of a single tone, and a sequence of disjunct minor thirds. There are also four pitch centers recurring throughout the work: C, C-sharp, G and G-sharp." These elements were ingeniously woven throughout the piece...
...short-sightedness is amplified by Harvard's disjunct schedule. The exam break that began yesterday creates, in effect, two mini-seasons, in which a single big win seems to make a season, and consecutive losses are a disaster...
...worse with the great C minor Nocturne, Op. 48, at a tempo that sapped its strength. This is one of the few performances I can think of where the chordal middle section was actually more interesting than its famous neighbors. The left hand would disappear and reemerge at odd, disjunct moments, and there was no sense of heightening at the return of the first theme in its slick new clothes...
Once this inner plot starts making sense (not, one could argue, until the "Diagram" in scene 14) it's fun to piece things together. But this task is often distracted into a fumbling account of the scores of #'s literary references. Some of these references are disjunct and capricious, but the best, like the Interlude of scene five, are masterpieces of intertextuality without being "coterie items. "Rising from trash cans borrowed from Beckett, Ezra Pound (Yu) and T.S. Eliot (Marler) offer up literature. In a later scene, Pound, with Robert Lowell, reflects that he "began with swollen head, and ended...