Word: disjunctive
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Dates: during 1970-1979
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Given their direct cinema background the Maysles were undoubtedly uncomfortable with such disjunct segments; there they were with gobs of stage performance footage, an exclusive on Meredith Hunter's murder, and no way to integrate the two. Then someone hit on the bright idea of showing the footage to the Stones, of filming their responses to themselves, to Tina Turner, to the Altamont arrangements, and of course to the stabbing itself. Throughout Gimme Shelter the Maysles cut from a filmed event to a shot of that same film running through a viewer, and then cut to one of the Stones...