Word: dismisses
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Dates: during 1940-1949
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Meanwhile Manhattanites, who were prepared to dismiss Frederick Stock's orchestra with kindly condescension, got the jolt of their symphonic season. Admitted the Post's Critic Samuel Chotzinoff: "In the balance between its choirs the Chicagoans conform to the best standards set by the country's major orchestras." Crowed Critic Thomson: "Mr. Stock won his audience ... as he has won audiences for 35 years, by playing them music very beautifully, not by wowing them." At last week's end, the traveling Philharmonikers were still on the road. But back in Manhattan worried directors were sadly pondering...
...years from now, critics will be calling Benny Goodman's records jazz classics. All of a sudden Benny will become the idol of those whose esoteric writings dismiss him as "commercial" today. If he dies, so much the better, for he will be immortal, like Bix, and legends will tell of how be drank himself to death and of how he just played because he loved jazz and the hell with the money anyway. Finally, any statements to the effect that Benny might not have been the greatest, most moving, relaxed, sincere, inviolated clarinetist in the world, will automatically become...
...burned gallons of midnight oil listening to Louie and Bessie Smith. All I'm asking from a lot of critics is that they try to be a little more fair in their judgments. They would do well to listen to Woody Herman and Charlie Barnet, before they dismiss them, by saying with amused tolerance: "It's pretty good, but it's commercial." Mike Levin, who wrote the best swing column Harvard ever saw, harped on this for two years, for all the good...
Sirs: Thanks for the ad. A rebuke for bad reporting (TIME, June 17). Mr. Knudsen did not summarily dismiss the undersigned. He did not say: "Then I won't be seeing much...
Sometimes the propaganda spook speaks German, sometimes it speaks French. But it is the spectre with a British accent that scares Authors Lavine & Wechsler the most. Nazi propaganda they dismiss rather briefly as, on the whole, inept and ineffective. But they feel that British propaganda is not just another name for Empire publicity. It is a force dark, sinister, pervasive, ineluctable. Its strength lies in the fascination which the British upper classes exert upon the U. S. upper classes. As proof they submit a somewhat original interpretation of Anglo-American relations before 1917. During World War I, they claim, there...