Word: disney
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Dates: during 1980-1989
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...idea was to fly down to Orlando with my good friend and journalistic sage, Rutger Fury, and take part in the Great Lemming Run to Disney World with the rest of the American press establishment. Apparently there was to be a big party celebrating the 15th year of the Magic Kingdom and the 200th of the U.S. Constitution--in that order, presumably--and Walt was covering all the bills...
...laughed. "Come on, Rutger," I said. "Disney? Conspiracy? Didn't you ever see The Parent Trap with Haley Mills? A charming, absolutely charming film, as were all Disney films. Sure, none of 'em were Taxi Driver or Apocalypse...
Last week's long-awaited "galaxy premiere" of Captain EO was kicked off with typical Disney glitz. Skyrockets and a thousand Mylar balloons crowded the air. A dozen chorus boys and girls in spandex and spangles boogied decorously. Mickey and Minnie Mouse arrived in matching silver-and-rainbow Captain EO garb. The film's opening will also be celebrated in a one-hour NBC special this Saturday. All the hoopla underscored the magnitude of the gamble by Disney and Eastman Kodak, which split the movie's costs. At $20 million or so for the film and its laser effects, Captain...
Lucas learned most of what he knows about merchandising from the example of Walt Disney, and Epcot's emporiums are already filled with replicas of such cuddly EO creatures as Hooter (an oboe-nosed elephant), Fuzzball (a scarlet monkey butterfly) and the Geex, Idy and Ody (sort of Siamese-twin Wookies). Nor is the film a reckless investment for Kodak. The previous attraction in the company's Magic Eye Theater, a 3-D film called Magic Journeys, was seen by 19 million people in less than four years. Asked how long EO will run, a Disney spokesman replies, "EOns." Walt...
...dessert is not very nourishing. Captain EO is sugar but no spice, coating an audio-animatronic gridwork. What can be exhilarating and depressing about Walt Disney World is true of Captain EO: it is a triumph of the artificial, of high-tech wizardry and secondhand emotions. All of which makes EO just fine as a "total three-dimensional experience" but only the fourthbest film at Epcot. In the travelogues of China and France, and in Emil Radok's enthralling documentary about, yes, energy, the imagination is served, not dominated, by the special effects. These films evoke intense feelings for people...