Search Details

Word: disney (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

That situation may have been aggravated by the increasing exposure of the Chinese people to an ever wider array of influences from abroad. One week there is talk of a Disney-style amusement park for southern Peking. The next, General Motors delivers a fleet of 20 Cadillac limousines to be used by visiting businessmen. Last April, party officials, after solemnly viewing videotapes of the British rock group Wham!, allowed the band to appear in Peking, complete with scantily clad go-go dancers and pelvis-thrusting vocalist. A golf course is scheduled to open next May in the historic Valley...

Author: /time Magazine | Title: The Second Revolution | 9/23/1985 | See Source »

...every Warner's cartoon is so heavy on the cordite and flying feathers. Some go in for the big soulful eyes, pastel prettiness and comforting moral of the traditional Disney cartoon. Feed the Kitty (1952), the acme of Jones' career, is a fable about a bulldog who falls into mad maternal love over a winsome kitten. But even in Warner's usually violent cat-eat-bird, rabbit- humiliate-duck world, character is at the base of the comedy. Each nuance of eyebrow makes Bugs' almost inhuman sangfroid seem more endearing; each microsecond of exasperated deadpan underlines Daffy's status...

Author: /time Magazine | Title: Show Business: For Heaven's Sake! Grown Men! | 9/9/1985 | See Source »

After Thunderdome, Max takes a brief holiday in what seems like Walt Disney's version of Lord of the Flies. A tribe of deserted children enact with Durkheimian accuracy the ritual of their history for Max, then declare him to be their messiah. Max finds this scene to be quite annoying, as does the audience. Max states himself what the focus of a Mad Max movie should be when he declares that he is not a childrens' messiah, but rather, "the guy who keeps Mr. Death in his pocket." (Would that the directors had kept to that focus...

Author: By Thomas M. Doyle, | Title: Beyond Cult Films | 8/2/1985 | See Source »

Amazing Stories may not be an instant hit; with the exception of the Walt Disney series, no anthology show has finished in the Nielsen Top 25 since Alfred Hitchcock Presents a quarter-century ago. But it could blaze trails, or at least reopen them. With this show Spielberg is attempting to transform the weekly series from a comfortable habit to an event worth anticipating and savoring. Each Sunday night at 8, a new baby movie, with a spooky story, feature-film production values and, often as not, a distinctive visual style. One of Spielberg's own episodes, an hourlong drama...

Author: /time Magazine | Title: Show Business: I Dream for a Living | 7/15/1985 | See Source »

Undoubtedly, tens of millions of moviegoers hope the filmmaker stays the precocious little boy he seems to be. Only the Hollywood graybeards and a flank of film critics feel like shouting, "Steven, grow up!" Whichever path he chooses, there are dangers. Walt Disney kept recycling the magic of his animated fables until the gold turned into dross. Charlie Chaplin got serious + and lost his audience. Spielberg, who says, "I want people to love my movies, and I'll be a whore to get them into the theaters," means to have it both ways: to mature as an artist while retaining...

Author: /time Magazine | Title: Show Business: I Dream for a Living | 7/15/1985 | See Source »

Previous | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | Next