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Although there were only three days of planned activities, we were on the go for 13 or 14 hours a day. Other activities included visits to the William Morris and ICM talent agencies, a thorough tour of Univision, an information session at Disney, a panel discussion and comprehensive tour at USC Film School, a visit to a visual effects studio, a creative writing panel, a production panel at Lions Gate, and a music entertainment panel...

Author: By Brandon C. Presser, CONTRIBUTING WRITER | Title: Perks of Networking | 2/11/2005 | See Source »

...competitive job slots. At the Disney/ABC Company, we met with representatives of Strategic Planning, Window Producing (marketing) and Creative Development. We watched point-by-point PowerPoint presentations that educated us on the structural components of the conglomerate merger, emphasizing the “wholesome and honest” image Disney strives to uphold in order to maintain its mass appeal...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Scenes From Harvardwood | 2/11/2005 | See Source »

Interestingly, Disney’s recent acquisition of Miramax, the edgier, New York-based production company known for flicks like Kill Bill and Chicago, was downplayed as belonging to ABC, “that part of the company,” while their own brand, Walt Disney films, was glorified as the sanctuary of family entertainment. I wondered how that might relate to the minister’s erection in The Little Mermaid, but I doubted Strategic Planning would answer that question...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Scenes From Harvardwood | 2/11/2005 | See Source »

...folks at Disney were also mum about the potential negative effects of aggressive expansion into foreign markets. “It took us a while to figure out that Euro Disney wasn’t doing so well in France because people drink wine in that country, and we didn’t allow any alcohol in the park,” said Mia Rondinella, a Disney representative...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Scenes From Harvardwood | 2/11/2005 | See Source »

...Disney Creative Development member Josh Simon ’00 echoed Goffman’s sentiments, saying, “I read about two or three screenplays a night, including weekends. But about 80% is just not good.” Bad scripts, he added, are often either too unrealistic to shoot (endless different locations) or too generic...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Scenes From Harvardwood | 2/11/2005 | See Source »

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