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...Disney claims that it owes no royalties to Slesinger because the new uses of Pooh are included in film rights, which it licenses directly from Milne's estate. A judge and jury will decide who is right when the case comes to trial in Los Angeles next year...

Author: /time Magazine | Title: Who Owns Pooh? | 7/15/2002 | See Source »

This court-sanctioned reversion to the artists or their representatives of rights in new media can mean gigantic headaches for companies like Disney, which could be forced to renegotiate hundreds of contracts each time a work is released in a new format. Disney experienced a similar situation 10 years ago when video rentals of hit films first began to take...

Author: /time Magazine | Title: Who Owns Pooh? | 7/15/2002 | See Source »

Performers who had provided voices for title characters in such Disney features as Cinderella and Sleeping Beauty sued Uncle Walt, claiming that Disney had not paid for the rights to include their performances in video adaptations of the films. Peggy Lee, who had provided songs and dialogue for the film Lady and the Tramp for $3,500 in 1952, won a $3.85 million judgment in 1991 and later settled for an undisclosed sum rather than endure a long appeal...

Author: /time Magazine | Title: Who Owns Pooh? | 7/15/2002 | See Source »

...Disney settled lawsuits with the Sleeping Beauty and Cinderella actresses. But it won several cases against orchestras and music publishers who tried to block the use of such compositions as Igor Stravinsky's Rite of Spring in videos of Fantasia without additional compensation. The different decisions hinged on specific contract language, but also mark a tendency of some courts to safeguard the rights of individual creators more zealously than those asserted by sophisticated entertainment companies...

Author: /time Magazine | Title: Who Owns Pooh? | 7/15/2002 | See Source »

Like other major studios and distributors, Disney is especially careful these days to try to secure a blanket license from its performers to use their work in current and future technologies. What seems like a blanket license today, though, may be Swiss cheese in 10 years, when an unanticipated new medium--self-generating holography? 3-D lasers?--becomes the rage. The cost of renegotiating so many licenses may cause companies to charge ahead with new uses before they have established exactly what rights they hold. "Sometimes when there is a market opportunity, companies think they have...

Author: /time Magazine | Title: Who Owns Pooh? | 7/15/2002 | See Source »

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