Word: disneyism
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Dates: during 1990-1999
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Former Mickey Mouse maven Jeffrey Katzenberg knows a sweet deal when he doesn't get one. As head of filmmaking for the Walt Disney Co., Katzenberg was entitled to 2% of the profits from films and TV shows produced under his watch, says a suit he filed last week against his old employer. That could amount to a Lion King's ransom, because Katzenberg's definition of profits includes much more than income from movie tickets. "By way of example," says the suit, "in 1994 Disney's video re-release of Snow White, an animated feature first released over...
Katzenberg, who reanimated Disney by honchoing such megahits as Aladdin and The Lion King, says Disney stiffed him out of $250 million in unpaid bonuses. The high drama is Hollywood's favorite feud--between Katzenberg and Disney chairman Michael Eisner. Katzenberg stormed out in 1994 when Eisner refused to promote him to president. Last week a feisty Katzenberg was calling himself "the $250 million...
...Sawyer's, to start with). It is part of an American theology of redemption by kids--a sentimental reassertion of the nation's conception of its own innocence. It is especially important to stage such pageants when Americans are feeling dirty about something. Jessica Dubroff's adventure--a Disney story of redemption by a seven-year-old, a '90s remake of Shirley Temple playing Charles Lindbergh--might have worked as a gaudy, cute, uplifting antidote to the shaming mess of the Simpson trial...
...Denmark, Israel, Syria, Australia and China. Even Hollywood showed up: ABC, NBC, TNT, Warner Bros. Television and Carsey-Werner all sent emissaries. Some were looking to snag writers and actors for the mainstream entertainment maw. Others came to join the collegial ferment. Says Janet Blake, a veep at Walt Disney Television: "Where else can you have a lively discussion with Jimmy Breslin"--who presented a savagely witty skit about Newt Gingrich haranguing his first wife in her hospital bed--"and two minutes later be talking to Tony Kushner? Only in Louisville...
...fully anticipate the wrath of several generations of possessive children when we declare that the new Disney film of James and the Giant Peach is an improvement on Roald Dahl's 1961 backyard fantasy. Director Henry Selick and his team of screenwriters (Karey Kirkpatrick, Jonathan Roberts, Steve Bloom) and technical specialists have given the story balance and emotional heft. Mixing stylized live action with stop-motion animation, they have reconciled the tale's realistic and surreal elements and, in five sprightly Randy Newman tunes, made the story sing...