Word: disneyisms
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...Muslim leader Maher Hathout. "Hollywood got this one right," Falwell says. Evangelist Robert Schuller has even laid hands on Katzenberg and blessed him. The executive says he will gladly accept all the help he can get. If family audiences pause from their enjoyment of Paramount's Rugrats or Disney's A Bug's Life to commune with his version of one of the greatest stories ever told, then Katzenberg's prayers will truly have been answered...
Boasts Steve Jobs, Pixar's CEO and Lasseter's understandably proud boss: "John Lasseter is the closest thing we have to Walt Disney today." Could be. Toy Story, Lasseter's first computer-animated feature, released in 1995, has reaped an estimated $1 billion for Pixar and its production-partner Disney in box-office, video and licensing revenues. But more important, Disney is betting that its heroes Buzz and Woody will endure for generations of kids to come. Says Peter Schneider, president of Walt Disney Feature Animation: "Look at Walt Disney's legacy: he told great stories, with great characters...
Born in Hollywood (but reared in Whittier, Ca., Richard Nixon's hometown), Lasseter decided to pursue animation after his mother, an art teacher, gave him a book about animation. "I realized people made cartoons for a living!" he says. One of the first eight students in Disney's animation program at California Institute of the Arts (Tim Burton was a classmate), Lasseter went on to work for Disney after graduation...
...Hollywood showmanship, burdened with more ambitions and pricey hopes than any movie since Titanic, The Prince of Egypt means to tell the most imposing old fable using the most sophisticated forms of animation. But old traditions die hard--as they should, when they are as supple as the Disney model. Led by directors Brenda Chapman, Steve Hickner and Simon Wells, the DreamWorks team uses a more sumptuous version of that standard: romantic realism in the visual tones of 19th century storybooks. (Here the model is the etchings of Gustave Dore...
What doesn't work so well is the storytelling, traditionally a hallmark of Disney-style cartoon craftsmanship. The film lacks creative exuberance, any side pockets of joy. All those evangelists and rabbis who were consulted during the picture's gestation must have weighed like a rock on the filmmakers' impulse to soar. Artistic care gives way to religious caution, and the picture sometimes looks starched, stodgy. Except for the When You Believe anthem, Stephen Schwartz's tunes mostly bring not buoyancy but ballast to the proceedings. While Jeff Goldblum is good as a fretful Aaron, the rest of an exemplary...