Word: disneyized
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...than most; they include the water company, a movie studio, a telecom provider and a book publisher. While the company is by some measures outperforming its competitors (the company reported 17 percent revenue growth last quarter, compared with 7 percent growth at AOL and a 2 percent decline from Disney), it has also had some very bad news. In March Vivendi reported 2001 losses of 13.6 euros - the largest such loss in French history...
...cable industries rapidly consolidating, there's not much room left for a maverick like Malone. Stripped of the enormous leverage his cable empire once gave him, Malone can no longer dictate the terms at the bargaining table. AOL and Comcast are now the gatekeepers, and content players like Disney, Viacom and News Corp. carry much more weight. Malone has effectively acknowledged the corner he's in, indicating that lucrative Liberty stakes in certain closely held assets like CourtTV, E! and QVC will, within a couple of years, probably be sold to whichever media behemoth will pay top dollar...
...pound and is adopted by the desperately needy Lilo; she figures "he used to be a collie before he got ran over." Will Lilo, herself something of a little monster, be able to turn this space Satan into a nicely domesticated Hawaiian--a ukul-alien? It's Disney Darwinism: survival of the cutest...
Writer-directors Chris Sanders and Dean DeBlois give the film a lush, pastel look and rounded, black-eyed characters closer to Smurfs than to the keenly defined types of most Disney cartoons. They also borrow roughly from Japanese anime master Hayao Miyazaki, who in My Neighbor Totoro and Kiki's Delivery Service plopped adorable kids into magical situations. (In tribute, the film has Nani open a business called Kiki's Coffee House.) But after a lag in the early sister scenes, Lilo reveals its own very American verve and wit, along with a smart story sense that marks the best...
Traditional animation has already seen a tentative revival with DreamWorks' Spirit: Stallion of the Cimarron. Lilo & Stitch is lighter, bouncier, loads more fun. So let's predict that this new Disney film will be an old-fashioned, hand-drawn hit. If traditional animators are not to be the modern equivalents of monks creating illuminated manuscripts--craftsmen in a world whose technology made their skills anachronistic--it had better be. --By Richard Corliss