Word: disneyized
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...Capitalism and Whip It were bested not only by the zombies but also by a CGI barrage of flying food and kids' playthings. Cloudy With a Chance of Meatballs continued its robust run, passing the $80 million mark on its third weekend. It came in second, immediately followed by Disney's 3-D release of those seminal Pixar buddy films, the 1995 Toy Story and the 1999 Toy Story 2. Playing at jacked-up prices on 1,745 screens, the Toy tandem earned $12.5 million to add to the $847 million (about $1.1 billion today) the two movies amassed...
...Harris kept working in TV, film and theater, acquiring exactly the skills you'd need to go into show business in 1890: magic, acrobatics, singing and dancing. Because his fame came early, he's now more interested in doing fun stuff--reading at the Christmas show at his beloved Disney World, serving on the board of Hollywood's Magic Castle (a club for magicians), producing an interactive-mystery-theater piece called Accomplice: Hollywood--than in managing his career toward lead film roles. All of which has made him famous for being himself...
...hearing a song; on the other, he subjects his audience to irritating gimmicks such as Backstreet Boys-esque echoing vocals in “Touches You,” a barbershop quartet in “Toy Boy,” and a burst of strings evocative of a Disney movie on the cabaret-style closing track “Pick Up Off the Floor.” Ultimately, “The Boy Who Knew Too Much” provides the same quirky good time that entertained fans of “Life in Cartoon Motion...
...Free or Die Hard is his only live-action vehicle to top $100 million domestic. In part that's because Willis makes the movies he wants to, alternating pop fare with offbeat comedies and art-house vehicles. He agreed to do The Sixth Sense only on the condition that Disney would bankroll a movie he really wanted to make, Alan Rudolph's version of Breakfast of Champions. One movie made $294 million, the other $178 thousand. You can guess which film Willis preferred...
...endearing themselves to University Hall staffers during the job hunt. All six of the previous Fun Czars have been white students, and lately they’ve been cut from the Crimson Key/House Committee/Harvard Concert Commission cloth—students who found more delight in the now-defunct Disney Singalong program than they did in increased funding for Yardfest artists. To compound the problem, this general wonkiness has been accompanied by an overarching ineptitude, from mismanaging security contracts to completely ignoring public relations. Since the post pays poorly and requires the fun czar to stay on campus while most friends...