Word: disneyized
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...have one now. Tarzan, the new Disney animated feature, is the best news to hit cartooning, and perhaps Hollywood, in ages. It is the full-service, romance-and-adventure, laugh-and-cry movie that Disney and its new competitors have been trying to make, without quite succeeding, since The Lion King five summers...
...safari into the interior of Tarzan's conflicted soul, where he searches not so much for his mate Jane as for his place in a society of men and apes. Though it would be nuts to predict Lion King-size revenues (that film and its ancillary markets made Disney $1 billion in profit), it is also hard to believe the mass audience will find Tarzan resistible. In its pace, wit and poignancy, this is the movie The Phantom Menace should have been...
...Disney could use a hit; lately, the company has mostly been taking them. Profits are down, partly because of the slump in popularity of the post-Lion King animated features (and hence of the ancillary videos and merchandise). The company's stock is down too, losing 25% of its value in the past bull-market year. Costs have zoomed: a billion here for the Animal Kingdom theme park, $700 million there for a couple of cruise ships--eventually it adds up. And for months CEO Michael Eisner has been on the defensive in a suit brought by Jeffrey Katzenberg...
...have taken the familiar Tarzan iconography--vine swinging, Jane, Cheetah, the jungle yodel--then freshened or deepened it. This ape-man (animated by Glen Keane and voiced by Tony Goldwyn) is no longer a swinger; he rides the twisting highways of tree boughs like the coolest surfer. (Alert, all Disney park ride designers: have the Tarzan Twist ready by next spring...
Jane is still the proper young Englishwoman abroad, but she and Tarzan are naifs in each other's worlds, with resources of strength and feelings still to discover. And with Minnie Driver adroitly mining each nuance of social primness, Jane is the first Disney cartoon heroine to provide her own comic relief...