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...followed by a multimedia home computer. Despite its studio setbacks, Sony will put more weight on entertainment. "Our movie business will be very important for the future of Sony," Idei says. "We will integrate electronics and entertainment into one and create a company like Warner Bros. or Disney...

Author: /time Magazine | Title: NOBUYUKI IDEI: PRESIDENT, SONY CORP.; TOKYO | 3/3/1997 | See Source »

...strong indie showing seemed a victory for a favorite hero of old Hollywood films: the nervy little guy. That can be misleading, since most of the "independent" companies are owned by media conglomerates: Miramax by the Walt Disney Co., Gramercy (which released Fargo) by Polygram, Fine Line (Shine) by Time Warner. October Films (Secrets & Lies) is partly financed by mighty Allen & Co., but despite rumors that it is open to a takeover bid, Bingham Ray vows to maintain autonomy. "We're at the peak of our game right now as a privately held, true independent," he says...

Author: /time Magazine | Title: CINEMA: INDEPENDENTS' DAY | 2/24/1997 | See Source »

Harvey Weinstein has his own definition of independence. "It has always meant independent of the seven major studios," says Harvey, "and that's how we operate. Disney is our big daddy or rich uncle. Basically, they're our bank. You can say Disney or you can say Chase Manhattan." Miramax has the freedom to run its business so long as it works within budget guidelines and doesn't buy movies rated NC-17. "A hundred-percent freedom," says Disney CEO Michael Eisner. "They're completely autonomous. And they should be. They keep their costs down and their ideas up. They...

Author: /time Magazine | Title: CINEMA: INDEPENDENTS' DAY | 2/24/1997 | See Source »

Originally the film was to be based on a biography of Jessica Savitch, the television reporter who died with her boyfriend in 1983 when their car accidentally rolled into the Delaware Canal near Philadelphia. But the details of Savitch's personal life proved too lurid for the glamorous project Disney executives had in mind. Only after 27 rewrites was the script deemed suitably uplifted and dumbed down for filming. At one point an exasperated Dunne asks a producer what he thinks the picture is really about. "It's about two movie stars," he answers...

Author: /time Magazine | Title: BOOKS: FILM FOLLIES | 2/24/1997 | See Source »

Monster is loaded with payback and toxic anecdotes: Walt Disney Studios under the hard hand of then chairman Jeffrey Katzenberg was known as Mouschwitz or Duckau. When Dunne describes his open-heart surgery, Walt Disney Co. chairman Michael Eisner responds, "Of course, mine was more serious." Dunne's account sometimes reads like a nonfiction sequel to his satiric 1994 Hollywood novel, Playland. But without fiction's remove and craft this chronicle often seems like a hasty downloading of shoptalk and tele-shmoozing. It may be too much to expect 27 rewrites, but one more scroll through the laptop might have...

Author: /time Magazine | Title: BOOKS: FILM FOLLIES | 2/24/1997 | See Source »

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