Word: disneyized
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...process they have made enough money to please even Scrooge McDuck. Everybody from Disney renegades to Steven Spielberg tries making cartoon epics; Disney alone consistently succeeds. The studio, which issued (or reissued) only 12 of the 42 animated features that were released in the past five years, has grabbed 83% of the North American box-office take for the genre. (Aladdin has earned $1 billion from box-office income, video sales and such ancillary baubles as Princess Jasmine dresses and Genie cookie jars...
...lacking in these terrific movies, but something was missing: primal anguish, the kind that made children wet the seats of movie palaces more than a half- century ago as they watched Snow White succumb to the poison apple or Bambi's mother die from a hunter's shotgun blast. Disney cartoons were often the first films kids saw and the first that forced them to confront the loss of home, parent, life. These were horror movies with songs, Greek tragedies with a cute chorus. They offered shock therapy to four-year-olds, and that elemental jolt could last forever...
...awed at the cunning of a G-rated medium that brings to bright life emotions that can be at once convulsive, cathartic and loads of fun. In The Lion King, premiering in New York City and Los Angeles this week and opening around the U.S. on June 24, primal Disney returns with a growl...
...Every Disney cartoon drama is laced with intoxicating comedy, with harlequins and hellcats. From Pinocchio on, the villain makes use of a sly sense of humor and a few goofy abettors. Scar, whom Irons plays with wicked precision as the purring offspring of Iago and Cruella De Vil, hires a pack of hyenas as his goons: clever Shenzi (Whoopi Goldberg), giddy Banzai (Cheech Marin) and idiotic Ed (Jim Cummings), who says little but is happy to chew voraciously on his own leg. The hero's helpers, who save Simba in the desert and teach him their live-for-today philosophy...
...directors and animators, though, create for years. That takes teamwork, discipline and sustained passion. "The creative process is usually thought to be an individual inspiration," says Michael Eisner, who runs the Disney empire. "And that's true if you're sitting on Walden Pond writing an essay or a poem or short story. But this is a different kind of creative form, even more so than a regular movie. I can't point to any one person and say, 'If it were not for him, we wouldn't have this movie.' But I can point to a series of people...