Word: disneyized
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...WALT DISNEY'S WONDERFUL WORLD OF COLOR (NBC, 7:30-8:30 p.m.). Zoologist Henry Del Guidice and the crew of his schooner track a giant sea turtle across 1,500 miles of open sea to study its navigational ability in "Solomon, the Sea Turtle...
...sketches were then turned over to a roster of 40 animators and 140 technical artists, who made some 500,000 drawings altogether. This is considerably less art work than was used by Walt Disney, whose techniques were developed to simulate the motions of real life. Animators like John Hubley rebelled against Disney's sleek realism. They produced films that frankly displayed their characters as drawings, not people. Backgrounds were not landscapes, but sketches. The results were such creations as Gerald McBoing Doing and Mr. Magoo. Candidly stylized, outrageously unrealistic, they made a kind of claim to be art. Edelmann...
AMIDST the plastic flora and fauna of Disneyland, a small and inconspicuous pavilion called The Art of Animation offers interesting lessons in cartoon esthetics. The literal nature of Disney's imagination extended past content into form, and the realistic movement in his animation enabled him to apply classical film technique to the product of his studio. The Disneyland display, a series of museum pieces and classic film technique to the product of his studio. The Disneyland display, a series of museum pieces and classic frame blow-ups, led to a projected sequence from one of the full-length cartoons--Sleeping...
Yellow Submarine exists in stylistic limbo. Edelmann's designs are too artistically eclectic, his figures too difficult to animate, to enable an attempt at the fluid control of the Disney method. At the same time, a compromise had to be reached since the stark backgrounds and limited movement of UPA or Hanna-Barbera (Yogi Bear) lack power and potential for complete realization of its creator's imaginative ideas. A strange animal resulted: stylistic form is almost non-existent, the movement of the cartoon figures is executed competently but no better, editing is largely unoriginal, and Edelmann's drawings--the frame...
Sharing one of Disney's weaker traits, the Beatle cartoon shows a depressing proclivity toward the literal. The scriptwriters' labored commentary is too often illustrated by the artist-animator, rarely complemented; most irritating, some of the Beatles' best songs are taken completely at face value rather than interpreted. Thus, Lucy In The Sky With Diamonds is accompanied by diamond-studded women standing on stars, Eleanor Rigby juxtaposed with silkscreened photographs of lonely people. Paradoxically, Yellow Submarine's best moments come during the literal Lucy In The Sky number, when Edelmann treats his audience to contour line drawings filled with rapidly...