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...when it drew a record crowd of 41,000 for a single performance. Hofheinz, 55, wants to cover "the gamut of family entertainment." Along with a convention-minded Astrohall and four Astromotels in the works, he is building a $10 million, 56-acre Astroworld (a Texas version of Disneyland) hard by the Astrodome to be "the greatest complex of family enjoyment, sports entertainment and show facilities in the world." That does not leave much for the Greatest Show on Earth, but its fans can be thankful that it will be on the road next year, just about as before...

Author: /time Magazine | Title: Entertainment: Greatest Show on Earth | 11/24/1967 | See Source »

...mines and industry so as to increase employment by 72%. In the western Peloponnesus, Litton proposes that Greece increase the number of hotel beds from 1,000 to 50,000, build three new airports, develop five industrial centers and five harbors, and transform Olympia into some sort of Greek Disneyland...

Author: /time Magazine | Title: Greece: Litton Takes Charge | 6/23/1967 | See Source »

WALT DISNEY'S WONDERFUL WORLD OF COLOR (NBC, 7:30-8:30 p.m.). A personally guided tour of "Disneyland Around the Seasons," taped by the late great showman shortly before his death last winter. Repeat...

Author: /time Magazine | Title: Television: Jun. 16, 1967 | 6/16/1967 | See Source »

...William E. Myers, 32, as he wrestled with Orange County statistics at his small market-research firm in Newport Beach. After all, with a population up from 216,000 in 1950 to 1,200,000, Orange is the fastest-growing metropolitan county in the U.S. As the home of Disneyland and the American League's California Angels, it attracts thousands of out-of-town visitors. On his own, Myers began assembling data in the hope of selling a study to an airline. In December 1965, he mentioned his findings to another market researcher, Alan H. Kenison, then 27. Asked...

Author: /time Magazine | Title: Airlines: Competing with the Freeways | 6/9/1967 | See Source »

Chunky Highlights. In all this Disneyland atmosphere, the handsomest work was undoubtedly the most stationary: the many varieties of outsized, technologically sophisticated minimal sculpture, much of it stationed outdoors (see color pages). David Von Schlegell's 42-ft.-long jet delta wings gleamed in the sunlight like anchors for interplanetary fleets. Robert Grosvenor's 24-ft.-long yellow Still No Title lanced downward from a portico of the museum building like a bolt of sunlight, ending a breath-taking eight inches from the pavement. John McCracken's brilliant blue column reflected shades upon shades of the California...

Author: /time Magazine | Title: Sculpture: White Wings in the Sunlight | 5/12/1967 | See Source »

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