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Word: disowns (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...with its stupid architecture, this pathetic town of ulcers and unreality to say en masse that we feel like orphans, we feel at odds with ourselves and particularly with this war that has grown out of us (do not make it into a mistake), and that we wish to disown a part of ourselves. The sight of the Capitol does not make our heart skip a beat anymore, if it ever did. Nixon on television does not frighten us, but only saddens us further. Our communal alienation may also be our hope, but orphans with no place...

Author: By Jim Frosch, | Title: On the March Washington Blues | 11/19/1969 | See Source »

...today, two-thirds of the men and half of the women among West Germany's 61 million people are under 40 and had little or nothing to do with the war. If many of them are "Hitler's children," born during his rule, the Führer would surely disown them. They are painfully aware of their country's Nazi past; two years ago, a public opinion poll showed that 60% of those between the ages of 16 and 29 would rather live in another country...

Author: /time Magazine | Title: World: WEST GERMANY: OUTCASTS AT THE HELM | 10/10/1969 | See Source »

President of Harvard, Nathan M. Pusey, big dome embodiment of the old-school tie who blew the whistle, finds himself both beloved and beleaguered. His job could be on the line. His own Faculty neither backs him nor does it disown...

Author: NO WRITER ATTRIBUTED | Title: World Watches Harvard | 4/17/1969 | See Source »

...reviving the stale questions of German guilt, Jewish passivity, and the paranoid personality of the archkiller. The play's best excuse for being is a performance of atomic power and blinding virtuosity by Donald Pleasence. He is like a neurotic blood relative whom one cannot abide or yet disown. He is as hallucinatorily real as a dream from which one cannot awaken...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

...Donald Pleasence is this play's best excuse for being. Smirking, storming, giggling, cringing, screaming, he is wild, weird and wonderful. Pleasence knows how to invade a playgoer's mind like a neurotic blood relative whom one cannot abide and yet cannot disown. He has the hallucinatory reality of a dream from which one cannot awaken. He provides one of those rare performances that theatergoers will never stop talking about...

Author: /time Magazine | Title: New Plays: Act of Atonement | 10/4/1968 | See Source »

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