Word: displayable
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...Hair, makeup, wardrobe and the lighting department don't do Zellweger any favors either. She's dressed in tight suits and padded bras that highlight the incongruities between her puffy face and her tiny frame, a sort of disturbing Nancy Reagan effect. The movie seems to put her on display just to toy with her, often in tight close-ups. Zellweger used to have such a distinctive, offbeat type of prettiness, but in this movie she often looks as though she's wearing a sloppily manufactured Renée Zellweger mask...
...warning: nobody graduates if we do not win the Strauss Cup (soon to be in the display case in the dining hall) again this year,” he wrote...
...years, and people have been really pleased." The Masters are also self-professed Strauss Cup aficionados. In fact, Rosen alluded to the intramural grand prize in his e-mail. "[J]ust a warning: nobody graduates if we do not win the Strauss Cup (soon to be in the display case in the dining hall) again this year," he wrote. According to Crump, who was commissioned by the Masters to spend last summer making artwork for Winthrop, Rosen and Sassanfar have made an effort to place art throughout the House, especially when it is Winthrop-centric. Rosen and Sassanfar's departure...
...involved, were also impressive. They held their own with the adults while harmonizing perfectly and performing old-fashioned comedic skits about animals.In addition to the acting, the fashions of the characters also made quite a statement throughout the show. Bonnets, capes, shawls, top hats, and vests were abundantly on display; all actors were impeccably clad in plain, plaid, and floral patterns.The production’s truly carefree live music was provided by the Mellstock Band and Cambridge Symphonic Brass Ensemble. From oboe beats to clarinet trills, the players are adept at creating a joyful, holiday mood with their modern...
...canon, he's held a bit at arm's length. The Museum of Modern Art in New York City owns his most famous canvas, Christina's World, which it acquired in 1948, soon after it was painted, for just $1,800. But while the picture is always on display at MoMA, it's consigned to what you might call an anteroom on the margins of the more respectably modern galleries, a salon des refuses that it shares with Edward Hopper's House by the Railroad. Seeing Christina splayed across her field of grass, gazing toward that house on the horizon...