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Dates: during 1960-1969
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Dart & Dash. Choreographer MacMillan, striving to project the psychological motivation of the star-crossed lovers, leans more on drama than dance. Beyond a lovely pas de deux in the first act, Nureyev and Fonteyn had little chance to display their glittering technique, so involved were they in acting out the complexities of the plot. Nureyev, despite a wig that looked like a wet dishrag, was a compelling and thoroughly convincing hero. Free of exaggeration, he masterfully portrayed Romeo as a roustabout turned rapt lover. The evening, however, belonged to Fonteyn. Though 45, she was every inch the teenage Juliet, brimming...

Author: /time Magazine | Title: Dance: Man of the Hour | 4/30/1965 | See Source »

Before proceeding to a tour of the major galleries, two institutional events should be noted. First, the Fogg Museum at Harvard is now showing "Three Americans," a display consisting of six monumental paintings each by Noland, Olitski, and Stella. Michael Fried, who organized the exhibit, considers these three young artists to be among the best in the world today...

Author: NO WRITER ATTRIBUTED | Title: Newbury Street: Boston's World of Art Tour of the Galleries | 4/24/1965 | See Source »

...glamour, it might have been the premiere of a new Fellini film. Row after row of limousines pulled up, cameras clicked on all sides, and the chic, smartly dressed guests sipped Scotch and martinis as they ogled a pop art exhibition that included plastic turkeys, fish, steaks and a display of Andy Warhol's stacked Brillo Boxes. There were roughly 500 Ibs. of real food per person-and no wonder. The bash that brought out Rome's smart set last week was the opening of Italy's largest supermarket, a two-story, 33,000-sq.-ft. expanse...

Author: /time Magazine | Title: Italy: The Yankee Marketeers | 4/23/1965 | See Source »

...play was the major event of an evening which included a display of African dress and a panel discussion of African and American Negro literature. A group of students, who seemed amused at their new roles as clothing models, came on stage nation by nation, wearing brilliantly colored and patterned garments. At one point, the audience learned that the two huge white buttons on the top-piece of one girl's garment were an innovation by missionaries who had been displeased with the previous more loose-fitting arrangement. (On the whole, Christianity took a fairly heavy beating last Saturday night...

Author: By Jonathan Schell, | Title: Hard Fact | 4/20/1965 | See Source »

...adopted by a Western company. And he has made basic alterations in several other works, including Giselle and the Nutcracker adagio. If this is always aimed at enhancing the male role, a reasonable response is why not? Nearly all classical ballets are a pastiche of showpieces designed to display the talents of individual dancers. Nureyev can do more than most dancers, and he wants choreography that will allow him to prove...

Author: /time Magazine | Title: Dance: Man in Motion | 4/16/1965 | See Source »

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