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Dates: during 1960-1969
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...small city" in Architectural Forum. "The first problem," he said, "is to establish the museum as a center for the enjoyment, not the interment, of art." To do this, he proposed to erase "the barrier between the work of art and the community" with a garden approach for the display of sculpture, plus a single, glass-curtained gallery built on a steel frame with freestanding interior walls. "The architectural space thus achieved," he concluded, "becomes defining rather than confining...

Author: /time Magazine | Title: Architecture: The Ultimate Cube | 9/20/1968 | See Source »

...that can be suspended in any arrangement by means of wires from the roof. "This is a very great work," said Director Haftmann last week. "But we've got to learn how to use it." For opening day, he showed that he is learning fast by mounting a display of 73 suitably square-rigged paintings by Piet Mondrian in the gallery...

Author: /time Magazine | Title: Architecture: The Ultimate Cube | 9/20/1968 | See Source »

...West Germans are heading for a training camp in Flagstaff, Ariz. It appears that there is little to worry about. Last week at Echo Summit, Calif, (alt. 7,377 ft.), where U.S. hopefuls battled it out in the final Olympic trials, track and field men put on a startling display of record breaking...

Author: /time Magazine | Title: Track And Field: Flying High | 9/20/1968 | See Source »

Thanks to this sort of showmanship, The Who's recent 30-city U.S. tour was-well, a smashing success. But the display, as Peter Townshend admits, "is an act, and it really is meaningless." It is also troublesome, since it requires them constantly to prowl the pawnshops in search of cheap replacements for broken instruments. "We started using it," says Townshend, "as a lever to get the audiences to come, and then, we hoped, dig the rest of the music." Now the audiences are coming. The Who rank close behind the Beatles and the Rolling Stones...

Author: /time Magazine | Title: Rock: The What and Why of The Who | 9/20/1968 | See Source »

Shankar's display of musical hypnotism clearly dramatized the essential difference between Western and Indian music. Much of Western music is an ex pressive artistic message delivered-as if in a package-directly to the listener. Indian music attempts to induce a loftier, more profound emotional and spiritual state in the listener through a steady, stroboscopic kind of rhythmic and melodic bedazzlement. At the height of a raga, says Shankar, "it is utter joy, uninhibited, that an artist experiences. The raga, the musician, the listeners, all become one." That is something that India's Ravi Shankar...

Author: /time Magazine | Title: Concerts: Utter Joy Uninhibited | 9/20/1968 | See Source »

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