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Word: displayed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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...Display...

Author: By Lawrence K. Bakst, | Title: Blacks Cite Racism in Summer School | 8/6/1968 | See Source »

Some of the sensitivity of the black students is probably related to their feeling of being on display. Summer School Director Crooks said, "What we try to avoid, but what we can't avoid is the feeling that they've been brought to this grand' institution to be looked...

Author: By Lawrence K. Bakst, | Title: Blacks Cite Racism in Summer School | 8/6/1968 | See Source »

Every Eye. Ludwig's most famous effort was Neuschwanstein, whose Romanesque-Moorish turrets bedeck Bavarian travel posters. The carvings and furnishings from its marble and mosaic chapel, study and bedroom display a gaunt tension that clearly foreshadows the Jugendstil 30 years before its prime. Sketches for carved colonnades incorporate fantastic root-and-branch configurations that would have delighted Spain's art nouveau master, Antoni Gaudí. Ludwig's two other palaces both evoke the rococo splendors of Louis XIV of France. From Linderhof come tutti-frutti-colored, specially commissioned Sèvres porcelain, embroidered screens inspired...

Author: /time Magazine | Title: Exhibitions: Eclectic Eccentric | 8/2/1968 | See Source »

...final breakdown of the worlds comes in a violently sensual display of color. Audran, coming out into the open, crosses the barriers Chris has established between his lives, destroying forever his success as a hidden prime mover. The lush blues we identify with Christine and, we realize in retrospect, with the dead Paola, are disrupted by Audran's red dress, then by the blackness of the stocking with which Christine and the other girls are strangled. The violence of the deed is muted by the awesome lushness of the images, textures of decor which make murder a forbidden ritual...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

...revelations of the last scene display a highly sophisticated use of narrative exposition. On a content level, the truths of The Champagne Murders derive from scrupulous honesty--a retrospective look at the film resulting not so much in our remembering hints dropped conspicuously in early scenes as places where Chabrol didn't cheat. When Jacqueline the secretary types up the letter of transfor turning Paul's name over to Christine, she is shown in screen-left fore-ground in focus, with Paul and Christine out of focus in the background. Our eyes watch Paul and Christine because we think that...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

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