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Word: displayed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...only could they but did they. Called "Options," the exhibit is a fun-house display of 90 amusing works of art, and it is attracting delighted crowds. The show was conceived by Director Tracy Atkinson to demonstrate the variety of ways in which today's artists expect gallerygoers to be something more than merely onlookers. Originally he thought of calling the show "participatory art," but then it occurred to him that even the Mona Lisa requires a degree of participation. He finally settled on "Options" because he considers it a "more accurate and basic term, pointing to the common...

Author: /time Magazine | Title: Exhibitions: Now, Op Is for Options | 7/19/1968 | See Source »

...TEMPTATIONS: WISH IT WOULD RAIN (Gordy). The five boys from Motown display a studied sophistication that might be called "hybrid Soul." They are backed up by an outfit that sounds like a cross between the Vienna Philharmonic, Herb Alpert and an electrified Gene Autry. The occasional catch in the throat and sad hoot do not a soul sound make, but the music is entirely inoffensive. Besides, the cover photograph depicting The Temptations as utterly defeated Foreign Legionnaires has to be the funniest of the year...

Author: /time Magazine | Title: Television: Jul. 12, 1968 | 7/12/1968 | See Source »

...wispy, astringent Concerto for Double Bass and Chamber Orchestra, which the New York Philharmonic premiered under Schuller's baton last week at Manhattan's Philharmonic Hall. While the 20-minute work scarcely explored the lyrical side of the bass, it did give Karr plenty of opportunity to display an awesome technique. Bowing and plucking in quick succession, deftly grabbing knotty clusters of double-stops, he skittered from basso groans up to ghostly coloratura harmonics, shading effortlessly from the sound of a human voice to that of a bee buzzing in a bottle...

Author: /time Magazine | Title: Instrumentalists: A Singing Bass: | 7/5/1968 | See Source »

Last week Biennale artists and revolution-minded students from Madrid, Paris and other points began deplaning in Venice. The students called on the artists to refuse to let their work be shown. In a few cases, they added threats to destroy work on display but surprisingly often the plea alone fell on sympathetic ears. For years, the Biennale has been about as popular as the only roulette wheel in town. Italians complain that the bureaucrats who administer it, under a Fascist law originally enacted in 1927, discriminate against Italian artists whom they dislike. Foreigners gripe about the oversize Italian pavilion...

Author: /time Magazine | Title: Exhibitions: Violence Kills Culture | 6/28/1968 | See Source »

...reactions from audiences. The result, however, is a drama that is shamelessly alive from the waist down and shamefully dead from the neck up. Eloquence of speech is abandoned for voodoo gibber. The play is reduced to a trampoline for directorial acrobatics. Condemned to extemporaneous self-expression, the actors display no sense that they have mastered their craft. The audience participation destroys illusion without enhancing reality...

Author: /time Magazine | Title: New Plays: Dionysus in '69 | 6/28/1968 | See Source »

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