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...about the event [Feb. 27]. Cheney handpicked someone who had potentially serious liability issues to give the story to the media even before the President was informed. The disclosure that Cheney and his friends were hunting from their cars without proper licenses adds a smarmy exclamation point to another display of his arrogance and shameful disregard...

Author: /time Magazine | Title: Letters: Mar. 20, 2006 | 3/12/2006 | See Source »

...embodied by the opening ceremonies—has on the bearing of the editorial’s main argument. As the host country, Italy presented a panorama of its heritage, which does, in fact, include the Renaissance, the Alps, and yes, cows. It is unfortunate that this creative display of tradition is dismissed as a “theater of the absurd”, rather than taken as the celebratory tribute that it was. Indeed, even the Opening Ceremonies have already been a theater for overtures in international diplomacy: this was the first Winter Olympics where the two Koreas marched...

Author: By Emily A. Bruemmer, | Title: Olypmic Games A Triumph Of Internationalism | 3/10/2006 | See Source »

Private Label Sephora's brand is its most profitable. It includes bath, makeup and skin-care products. The private label emphasizes choice and mass-market prices. On Aron's visit, the brand's display boasted 83 shades of lipstick, compared with 39 at the Gemey-Maybelline stand...

Author: /time Magazine | Title: Sales-Floor Secrets | 3/8/2006 | See Source »

...former wife of the grandson of the last Nizam of Hyderabad, over tea at the Taj Mahal Palace Hotel in Bombay. Her work for the family's ambitious restoration of Hyderabad's Chowmahalla Palace as a museum is much admired, and nobles hope the family will be allowed to display permanently the Nizam's fabled jewel collection, which was acquired by the Indian government...

Author: /time Magazine | Title: Passage to India | 3/8/2006 | See Source »

...Simple”, eventually breaking down “fly clichés” and easy street/smart dichotomies in favor of an epic, all-American mythos that draws on everything from pulp comic books and cheap kung-fu movies. Any static visual display of artifacts and commentary will be hard-pressed to uncover the symbolic web of even one Wu-Tang album, let alone the genre as a whole. While it may display some truly fly chains, “Hip Hop Won’t Stop” will be hard-pressed to assume a form that approximates...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Inside the Hip-Hop Museum—Look, But Don't Touch | 3/8/2006 | See Source »

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