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...have made spurious claims, the bad ones have yet to make much impact (with the exception of “Fahrenheit 9/11,” which was counterproductive and galvanized opposition). The problem is that these documentaries are assigned undue importance because they tap into the collective discomfort with distant social menaces, be they eco-unfriendly food production, global warming or (most perplexingly) the corporation. Even worse than the often-slanted presentation of information is the fact that these sensational pictures often eclipse better films that are more substantial and even—perhaps—as enjoyable as fiction...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Quick Flix's Documentaries Reveal Inconvenient Truths | 3/2/2010 | See Source »

...Smoke & Mirrors” makes few attempts at breaking away from the mold it casts for itself, but the rare displays of creativity among the myriad repetitions are quite welcome. “Wrecking Ball” features distant vocals and more original songwriting based on the lyrics as a whole rather than just the chorus. The refrain very simply states, “And I’m always swinging on this wrecking ball / While you’re building up and breaking down my wall.” Although this is repeated three times throughout the song...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Lifehouse | 3/2/2010 | See Source »

...attacks at home. Influential Indian foreign policy analyst C. Raja Mohan has even suggested, in a recent editorial in the Indian Express, that New Delhi should push for a trilateral summit among India, Pakistan and Afghanistan to secure a lasting peace in the region. That may seem like a distant prospect when India and Pakistan have just restarted their dialogue, but perhaps the only move worth making now is a big one. "If its diplomacy is paralyzed by the fear of another attack, India will invite many more," Mohan writes. "Acting boldly, Delhi might have a chance to alter...

Author: /time Magazine | Title: India-Pakistan Talks: Is a Breakthrough Possible? | 2/25/2010 | See Source »

...voice hits multiple registers, weaving a tapestry of interlocking vocal snippets that drive the song’s dynamics from the arid determination of the opening to the rising chorus of wandering lovers. Distorted guitars and synthesizers howl like frigid winds through the track, slicing Adu’s distant vocals and keeping the song from becoming repetitive...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

...supports the Sunday-afternoon strumming of the laconic acoustic and the waves of organ that sweep through the wide-open spaces of the song like wind in fields of grain. Adu pulls off some memorable melodies, making use of her powerful and malleable voice, but the track somehow feels distant and merely pleasant. The instruments still sound prepackaged and the chord changes, while effective, remain obvious. The production, though nearly flawless, places more of an emotional divide between the band and the listener than there should be on what could have been such a relatable song...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

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