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...Just as the stylistic innovations of Virginia Woolf's study make it part of a different century and a different sensibility from Jane Austen's traditional novel, so Tanner's film, with its ubiquitous symbolism and its disruption of the conventional rules of narrative, occupies a cinematic universe distinct from Bergman's. Scenes from a Marriage is a classical work. It derives its dramatic power from the potency of its dialogue, the emotive force of its actors, and the austerity of Bergman's camerawork with its insistent focusing on the torn faces of the protagonists. The Middle of the World...

Author: By Michael Massing, | Title: A Film Only a Filmmaker Could Like | 5/19/1975 | See Source »

...separate and distinct political campaigns were under way in Washington last week. One, of course, was the gearing up of machinery that staffers hope will bring Gerald Ford a second term. The other was the President's campaign to convince worried leaders of Pacific nations that despite the fall of South Viet Nam, the U.S. intends to remain a superpower in the region and that its commitments and promises can still be relied upon...

Author: /time Magazine | Title: DIPLOMACY: The Importance of Sounding Earnest | 5/19/1975 | See Source »

...competition always become more strident during times of spreading unemployment. The real surprise is that despite the severity of the global recession, free traders so far have held the dikes successfully against the protectionist tide; nothing resembling the tariff wars of the 1930s has occurred. Import-limiting actions, as distinct from talk, have been few and scattered. For example, Finland now requires importers to post large bonds, and the Japanese have persuaded several trading partners to limit, voluntarily and temporarily, some shipments to Japan...

Author: /time Magazine | Title: TRADE: The New Protectionism | 5/19/1975 | See Source »

...PASSENGER depends on our capacity for readjustment. From the beginning, it makes each images new, each person distinct and alone, throwing our soft store of working axioms out the window. Audiences are always comfortable watching social comedies because they can immediately grasp the values and understand what they are being ordered to respond to within each given frame. Antonioni puts it all up for re-examination. Some time ago, he said...

Author: By Peter Kaplan, | Title: Making the Audience Work | 5/9/1975 | See Source »

...show displays the recent black and white photographs of four young artists, two men and two women. The style and themes, and to a lesser extent, the success and quality, of these pictures vary from photographer to photographer. Each work in the show is the skillful product of a distinct artistic personality...

Author: By Susan Cooke, | Title: Private Fantasies | 5/9/1975 | See Source »

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