Word: distinctions
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...Jerry Bock score neatly dovetails into the book, but it lacks any single rousing number like "Tradition" from their Fiddler on the Roof score. Hal Linden is warmly convincing as a Jewish Joe Kennedy. Except for Nathan Rothschild (Paul Hecht), the brother in London, the sons are not individually distinct. Absent from the stage of the Lunt-Fontanne Theater are two favorite Rothschilds-Mouton and Lafite...
...would "thus seek to destroy the basis of our democratic governmental system on which the enjoyment of our human rights and fundamental freedoms is founded"; the law's invocation would merely "insure the continued protection of those rights and freedoms in Canada." But buried beneath the platitudes was the distinct likelihood that Trudeau would use the crisis legislation to throw in jail those who posed the greatest legitimate threat to the government of his ruling Liberal party...
...principles of administration, especially those whose requests are refused. Functioning as a "teaching office" in the concepts of administration, Epps wants to stress his principle of equity: Exceptions are allowable only up to the point that administration of the rule becomes unfair. Adherence to this principle gives Epps a distinct administrative style-exceptions to policies are allowed only within set limits, for if large numbers of exceptions are permitted then new policy is being made. Making policy is not a function of his office, so Epps prefers that such questions be sent to the Faculty or considered by the appeals...
...might be appropriate to pause to explain for those unfamiliar with them two terms that have been used-the main budget, as distinct from other accounts, and unrestricted income as distinct from restricted endowment restricted gift income...
...Godard's films of 1969 combine all these necessities of his character. Made for analysis by fellow cadres more than for propaganda, they are rigorously theatrical attempts to recreate sounds and images so that film can someday become really revolutionary. In them the problem of "reality" has become quite distinct. Maybe after the revolution, when language and image have been freed, Godard will begin to know things as they really...