Word: distinctiveness
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...grade three times. Two of his uncles committed suicide. Forced to forge new acquaintances so often, he found himself torn "between being the class clown and being the shy kid" bullies pounded on - and wound up inhabiting both characters. Out of the struggle to continually remake himself sprang three distinct on-stage personas: Marshall Mathers (his real name), who raps earnestly about the joys of fatherhood and the oppression of celebrity; Eminem, "the emcee who goes onstage sober and spits his metaphors"; and alter ego Slim Shady, "the guy who shows up after a few shots of Bacardi - and wants...
...voices of his characters and his narrator a very realistic, modern flavor, he seems to think that profanity is one of the most important parts of colloquial speech. By putting a constant flow of curses into every character’s mouth, he has a harder time creating distinct voices for each one. While “ball buster” may be a colorful way to describe someone, when practically every character uses the expression, the words become tired and uninteresting (and not particularly descriptive, either).“Ball busters” notwithstanding, Cappellani has an acute sense...
...school as its final clubs: collegiate fashion can’t be separated from our institution because it was, in fact, invented right within Harvard’s own hallowed halls. To bring some historical context into this, college campuses in the 1920s saw the development of a distinct youth culture. No longer under the watchful eyes of parents, adolescents were able to structure their social lives among their peers by joining fraternities. For many students, away from the comfort of home for the first time, this peer society offered the reassurance of one’s identity?...
...lesser collection it would seem impossible to match that song’s first moments. But Dylan succeeds in more unexpected ways as the album unfolds. Both versions of the gospel ballad “Dignity” manage to be moving, yet distinct from the other in arrangement and lyrical delivery. “God Knows,” an “Oh Mercy” outtake, harks back to the more propulsive, Hawks-driven days of Dylan’s 1960s height. More traditional outings like “32-30 Blues?...
This exchange may hint at how wary the campus is of supporting any more a cappella groups. But Stone contends that the current scene forces groups to be “more purposeful” about ensuring they are unique. This attempt within a group to make itself distinct contributes to the tight-knit community that characterizes all a cappella groups...