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...question of the fate of American literature in academia. With the nearly catastrophic state of secondary education in America, our people are woefully ignorant of the shape of their own culture. A culture that cannot assume responsibility for itself certainly cannot assume responsibility for another. A country that cannot distinguish its intellectual history from its former motherland cannot claim adherence to its revolutionary ideals...

Author: By Kelly A. E. mason, | Title: Stop Teaching English Lit. | 12/13/1990 | See Source »

...scales do not exactly fall from the reader's eyes, it is because Sheehy does little to distinguish between what is banal and what is distinctive in her findings and her arguments. There are also problems that undermine reader confidence. Early on Sheehy writes, "Did Gorbachev change the world or did the world change him? I took as my premise the second interpretation." So how come the title of her breathless book is The Man Who Changed the World...

Author: /time Magazine | Title: Books: Hot Red | 12/3/1990 | See Source »

...disappointed. We feel disappointed, but our feelings toward the Palestinian problem will not change. Look at the reaction in Saudi Arabia and other Arab countries after the recent massacre ((of 21 Palestinians)) in Jerusalem. We were all disturbed, and we reacted strongly against it. So we distinguish between our feeling toward the leaders of the P.L.O. and our feeling about the Palestinian question...

Author: /time Magazine | Title: AHMED ZAKI YAMANI: Prospects Of War, Psychology of Oil | 12/3/1990 | See Source »

...artist did not realize much of the potential of the medium, and the depth of line and color was uniform in the two prints displayed. The bland centerpiece of the series, the plate itself, was diverting only in that it presented this commonplace image inverted. Ruivivar attempted to distinguish one print from its twin by printing it over a pale yellow box previously printed on the paper, but this did not enrich or even qualitatively distinguish the work...

Author: By Suzanne PETREN Moritz, | Title: Recycled Student Art | 11/30/1990 | See Source »

Ruivivar's series, then, was not unlike the gallery itself. In the past year, the Triptych gallery has been unable to qualitatatively distinguish one show from another. The Triptych has in the past tended towards photography, and this show was no different. The limited range of media displayed was probably due to the cramped gallery space, but the works exhibited in Themeless Show were overwhelmingly the products of artists whom the gallery has exhibited earlier. Given the large number of student artists on campus, it is lamentable that only a few monopolize Harvard's only student gallery...

Author: By Suzanne PETREN Moritz, | Title: Recycled Student Art | 11/30/1990 | See Source »

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