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...beginning of the overture to Puck's last speech the opera combines different musical modes to represent the different levels and intensities of action. The most striking distinctions are between the music moving the spirits and that moving the mere mortals. All different kinds of musical textures and harmonies distinguish the two groups. The fairies are musically represented by instruments like the harp, harpsichord, and celesta; and percussion that frequently goes off at melodic and rhythmic tangents as unexpected as are Puck's entrances and exits. The humans' movements are heralded by woodwind and strings that stay comparatively close...

Author: By Diana R. Laing, | Title: Thickets of Enchantment and Illusion | 4/16/1977 | See Source »

Throughout his ten-year career, Frank has used his wit, intellect and flair for the outrageous to distinguish himself. He had what is probably the most favorable press coverage of any politician in the state. Reporters find him extremely accessible and considerate--unlike most Boston politicians, he returns reporters' calls promptly and always provides clever quips. When the House created an Ethics Committee last month in the wake of the conviction of two state senators for extortion, Frank said, "Peer policing doesn't even work at West Point. The Committee should be banned with saccharin as an artificial sweetener...

Author: By Michael Kendall, | Title: Barney Frank: Winning by the Rules | 4/11/1977 | See Source »

...second act of Evening exemplifies the product of too many cooks. Both orchestra and singers give outstanding performances; indeed, the instrumentalists in particular distinguish themselves. Unfortunately, the two don't engage in a cooperative harmony but rather in a duel to the death, voice versus instruments. Such an unequal contest can have only one result. Not even Shattuck's soaring soprano can overcome the determined opposition of the cymbals--especially since their frequencies are very close. Part of the problem is the thick-textured score, with its constant cacophony and acoustical fireworks; part of the trouble is the structure...

Author: By Eleni Constantine, | Title: Gourmet Leftovers | 3/16/1977 | See Source »

...Evelyn Hooker reported that three psychiatrists could not distinguish differences among 30 matched pairs of gay and straight men, as manifest in Rorschach tests. Miller and Hannum found no differences in MMPI scores (Minnesota Multiphasic Personality Inventory), between matched groups of heterosexual and homosexuals in a 1963 study. William Horstman found similar lack of difference in MMPI scores nine years later. Mark Freedman reported similar outcomes in lesbian response to the Eysenck Personality Inventory. Using similar personality measures, Siegelman (1972) found no significant differences, and C.G. Watson found no evidence for the paranoia hypothesis in homosexuality. Research by Brenda Dickey...

Author: NO WRITER ATTRIBUTED | Title: All You Need Is Love | 3/15/1977 | See Source »

...really, it is uncanny how the terminology used to distinguish the different jazz styles today resembles the practiced patter of a used-clothes saleswomen. "Contemporary" replies the hey-man at the other end of the telephone when you ask what the well-noised jazz-listener will be hearing tomorrow. Contemporary? What's contemporary? The voice will reply--sounding laid-back of course--"Like, uh, sort of late 50's and early 60's--it was too advanced for them then so they didn't appreciate...

Author: By Diana R. Laing, | Title: JAZZ | 3/10/1977 | See Source »

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