Word: distorting
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...into narrative ballet can hardly be matched. What went wrong was the music. Scorning Bizet, Cranko got German Composer Wolfgang Fortner to produce a dreadful, cacophonous "Bizet collage" incapable of sustaining any nuance of emotion. Worse, the score picked up a bar or two of familiar melody, only to distort it unrecognizably or drown it in a dissonant morass...
...domestic area, Brezhnev pointedly praised the KGB (secret police) and called for greater vigilance against "bourgeois influences." He derided intellectuals who distort Soviet reality. All they deserve, he said, is "general scorn." Without naming names, Brezhnev upbraided Nobel Prizewinning Novelist Alexander Solzhenitsyn for dwelling on "problems that have been irreversibly relegated to the past." Then, in an evenhanded manner, Brezhnev rapped ultraconservative Soviet writers who "attempt to whitewash the past" by praising Joseph Stalin. Among his other points...
...willing to practice self-restraint in the pursuit of national interests. We are prepared to apply this principle to all legitimate Soviet interests. The U.S.S.R. has traditionally had important security interests in Europe and East Asia. But the natural expansion of Soviet influence in the world must not distort itself into ambitions for exclusive or predominant positions. For such a course ignores the interests of others, including ourselves. It must and will be resisted...
...programs seem to be having little effect. After a $60,000 study, the Washington-based National Coordinating Council on Drug Abuse Education and Information revealed that the films are so eager to scare kids away from drugs that they undermine the credibility of their messages. Too often the films distort what is scientifically known about drugs and ignore the many uncertainties...
...historical film spectacle one teetering step past the previous low mark set by Anne of the Thousand Days. Whereas Anne at least tapped a romantic vein sure to keep Redbook and Seventeen reviewers cooing, Cromwell develops no gratifying love-or period-interest. Ken Hughes' bland direction and screenplay instead distort history to remove any possible ambiguities from Cromwell's public actions during the English Revolution: he is portrayed from the very beginning of the fray as the prime, the only principled, advocate of Parliament, "people," and "democracy." The movie eventually gets smothered in its own over-simplifications...