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There is little novel interpretation of character: even that might distract from the great language, or distort it. There is no clear placement in time, no outside world except blind sky, faint landscapes, ruminant surf, a lyrical brook. The camera, prowling and peering about the cavernous castle, creates a kind of continuum of time and space. Such castles were almost as naked of furniture as the Elizabethan stage; Olivier uses both facts to the film's advantage. Not even the costumes are distracting; they are close to the simplest mind's-eye image: a King & Queen like playing...

Author: /time Magazine | Title: Cinema: Olivier's Hamlet | 6/28/1948 | See Source »

...human memory a precision it does not have; "they recognize that we can 'forget,' but not that we can 'misremember.'" For instance, he said, the book seriously discusses sexual experiences recollected from early childhood without taking into account all the forces, like dreams, that can distort children's memories...

Author: /time Magazine | Title: Medicine: Dr. Kinsey's Misrememberers | 6/14/1948 | See Source »

...arrival of FM radio was a big help. With conventional AM, the static from any passing streetcar could distort a "fax" page. FM made for smooth reception, but it raised an intriguing question. Since a broadcaster could convert to facsimile for $10,000 to $15,000, what was to prevent anyone with an FM license from going into the newspaper business...

Author: /time Magazine | Title: The Press: First Fax | 1/12/1948 | See Source »

...pieces--a prelude and allegro by Couperin and an organ fugue of Bach--were played in modern orchestrations--by Milhaud and Williams respectively. Music critics of good taste have for years been screaming at conductors like Stokowski and Koussevitsky not to distort Bach, but when the orchestration is done by composers of the calibre of Williams and Milhaud, the result is quite different. Like a great translation which becomes a work of art by its own merits, a good transcription becomes a piece of music which can be enjoyed as a new work. Purists might still complain, but with...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 11/15/1947 | See Source »

...American side, there was no unanimity. Without meaning to distort the news, A.P. and U.P. had heightened the disorder simply by covering the facts in approved police-reporter fashion, stringing them together in the order of the excitement they contained. In the New York Times, Correspondent Edward A. Morrow also wrote of truncheons and firehoses. But he took pains to say that the soldiers "kept their tempers and followed orders to use a minimum of force...

Author: /time Magazine | Title: The Press: What Is Truth? | 9/22/1947 | See Source »

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