Word: distortive
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Dates: during 1960-1969
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Whether or not the various approaches these magazines have taken reflect the national psychology of the three nations is hard to say. If they do, Poland certainly appears the most Western (if not Madison Avenue) oriented; USSR shows that the Russians still love to distort and are no more delicate about it than they usually are; and China--ah, well, they're still inscrutable...
...doing the egg beater over and over again, Davis was able to explore, distort and transform the objects into endless arrangements on the canvas. This meant that though his inspiration might come from the object, he was not imprisoned by it. Davis' paintings became ballets of what he called "color-spaces," but the beat of the ballets was always jazz. What caught his imagination was everyday America-the gas pumps, factories, cities, the hep talk and hip music-even the signs, "the visual dialect of the city." Since he never lost touch with reality, Davis refuses to be called...
...student writes, "and the fulfillment of his duty to the moral order can be realized only in a political and economic condition of freedom." Evans himself suggests that "because the principal end of man is to shape his volition to the will of God, no man is empowered to distort another's will" by economic or political means. To this I would add that many men doubt understand individual action to be the only way of achieving redemption from...
...find it exceedingly difficult to characterize Vigo's method of treating dreams and reality. It does not resemble Bergman's use of symbolism, Freudian or otherwise, and it is nothing like the way Jean Genet handles many layers of illusion. Rather, Vigo deliberately distorts his story, visually and dramatically. He injects the outre in the form of a headmaster who is three feet tall and a drawing that comes to life, and he slants his scenario so that the children win. Still, he never departs far enough from normal experience to enter the surreal, and this is precisely what makes...
...unless they happen to be conspiring to distort competition, dealers are likely to object to the fact that what appears to be free competition in the bidding is not really free at all. It is now standard practice in some auction houses to set a "reserve" on each work up for sale: if the bidding does not go beyond a certain price, the auctioneer simply pretends to accept a final bid and lets the work revert to the seller without his having to pay any commission to the house. Since other potential buyers have no idea of what the reserve...