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...professional theaters because of the theaters' potential power to withhold films from the societies. Cyrus I. Harvey '47, owner of the Harvard Square, Brattle Square, and Central Cinemas is in a good position to wield this power. Harvey is one of the founding partners of Janus films, a major distributor of foreign films to both professional and non-professional groups. Janus often checks with Harvey's manager, Robert St. George, to okay a film before sending it to a Harvard society...

Author: By Charles M Kahn, | Title: Film Societies at Harvard or 'Deep Throat' as Education | 4/13/1973 | See Source »

After that, De Sédouy and Harris were all set to release their picture-except that the country's two principal film distributors, Gaumont and Pathé, reversed an earlier decision and refused to book it. They were afraid, explained one distributor, that the film "would provoke public disorder...

Author: /time Magazine | Title: The World: If They Only Knew | 3/26/1973 | See Source »

...largest distributor of non-union lettuce in the country, buying over three million heads a week. We are attacking them because of their purchasing power," Lassen said...

Author: NO WRITER ATTRIBUTED | Title: UFW Supporters to Sue Local A & P Supermarket | 3/6/1973 | See Source »

...recent years: compensation for some 400 children who were born deformed after their mothers took the tranquilizer thalidomide between 1958 and 1961. Belatedly awakened to the financial as well as the physical plight of the children, Britons have responded with a torrent of outrage directed at the former distributor of the drug, giant Distillers Co. Ltd. More important, perhaps, the outcry appears to have forced a widespread public examination of the outdated laws and traditions that allowed what the Sunday Times called a "national shame" to go so long unnoticed and unredressed...

Author: /time Magazine | Title: BRITAIN: The Thalidomide Affair | 1/22/1973 | See Source »

Amoral Charm. The U.S. distributor, United Artists, has allowed only one carefully timed public screening in the States-on the final night of the New York Film Festival in October. "That date," wrote Critic Pauline Kael in The New Yorker, "should become a landmark in movie history comparable to May 29, 1913-the night Le Sacre du Printemps was first performed-in music history. [Tango has] altered the face of an art form. This is a movie people will be arguing about for as long as there are movies." United Artists recently reprinted the whole of Kael's extraordinary...

Author: /time Magazine | Title: Self-Portrait of an Angel and Monster | 1/22/1973 | See Source »

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