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...entertainment" industry when distributed in capitalist countries. He intended the breaks in the film to provide the necessary opportunity for debate and analysis by the audience, not to create bite-sized chunks for exhibitors to exploit most effectively for high grosses. Unfortunately the Orson Welles-in collaboration with the distributor, Cinema of the Third World-has chosen to observe only an "intermission" between Parts II and III and to charge audiences twice for seeing the whole film. Splitting the experience over at least two days and including the slack and unimaginative "Interviews with My Lai Veterans" on the same bill...

Author: By Fernando Solanas, | Title: A Film Essay on Violence and Liberation La Hora de los Hornos | 4/16/1971 | See Source »

Sheldon Cohen, owner of out-of-town News Service and a Harvard Square newspaper distributor for 28 years, yesterday said his company had nothing to do with the closing of Printed Matter...

Author: NO WRITER ATTRIBUTED | Title: City Council Will Consider Appeal Of Defunct Mass Ave. Newsstand | 3/24/1971 | See Source »

High-Priced Muscle. A onetime merchant seaman who was born in China to American parents, Crum began as a liquor distributor to PXs in Korea in 1950. By 1960, he had expanded into a major supplier of goods to military installations throughout the Far East. He was twice investigated by military authorities on suspicion of paying kickbacks and smuggling, but in both cases the investigations were dropped. Crum's secret of success was no secret at all. "Everyone has a price," he was said to have claimed, "whether he be a private or a four-star general." True...

Author: /time Magazine | Title: The Nation: The Money King of Viet Nam | 3/8/1971 | See Source »

...verbal agreement with Brattle Films, Inc., which controls four Cambridge movie theatres, a major distributor of foreign films has promised to stop supplying movies to Harvard and M.I.T. film societies for the rest of the academic year...

Author: By Arthur H. Lubow, | Title: King Kong Won't Be in Houses This Term | 2/8/1971 | See Source »

This film's downbeat reception in this country can be squarely blamed on its distributor, United Artists, who somehow saw fit to cut twenty minutes from. Truffaut's version for its American release. Still, a lot of the good is intact, and so are the film's intriguing references to Psycho, Shoot the Piano Player and the works of Jean Renoir, to whom Mississippi Mermaid is dedicated...

Author: By Frank Rich, | Title: The Ten Best Films of 1970 | 1/11/1971 | See Source »

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