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...perfect. Past Bond movies tended, with several notable exceptions, to practice a principle preached on several occasions by Ronald Reagan, a frequent critic of Hollywood's insatiable libido. Said Reagan, "I have always thought it was more suggestive to see a hand reach out and hang a 'Do Not Disturb' sign on the door." The lesson: Merely suggesting sex is often more effective than showing it onscreen...

Author: By Hugh P. Liebert, | Title: Always an Icon, A Bond in the '90s | 11/23/1999 | See Source »

...Khmer Rouge, but their relations with others. If we didn't need national reconciliation, I would not be scared of a trial. We have to be cautious to avoid any panic among leaders of the Khmer Rouge." Hun Sen fears that a large-scale trial would disturb the balance he has achieved, one that has rabid guerrillas, royalists and former communists from his own party in check under his stringent authority. "For the first time in 30 years," he says, "Cambodia is at peace." U.S. Secretary of State Madeleine Albright feels otherwise about a trial: "We think...

Author: /time Magazine | Title: Cambodia: Survival of the Paranoid | 3/22/1999 | See Source »

...still lives are unequivocally the most inventive and mysterious photographs of the exhibition. He retreats from the streets to the kitchen. But his foodstuffs are neither palatable nor tantalizing. Distorted in scale, lit by mysterious sources and seeming almost alive, these photographs disturb as much as they entice. There are no rites of passage into this world of objects. These depart from his earlier, formalist, abstractions: they are abstraction vivified...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...still lives are unequivocally the most inventive and mysterious photographs of the exhibition. He retreats from the streets to the kitchen. But his foodstuffs are neither palatable nor tantalizing. Distorted in scale, lit by mysterious sources and seeming almost alive, these photographs disturb as much as they entice. There are no rites of passage into this world of objects. These depart from his earlier, formalist, abstractions; they are abstraction vivified...

Author: By Nadia ANYMONE Michelle berenstein, CONTRIBUTING WRITER | Title: WOLS Wolfgang Otto Schulze | 3/19/1999 | See Source »

...still lives are unequivocally the most inventive and mysterious photographs of the exhibition. He retreats from the streets to the kitchen. But his foodstuffs are neither palatable nor tantalizing. Distorted in scale, lit by mysterious sources and seeming almost alive, these photographs disturb as much as they entice. There are no rites of passage into this world of objects. These depart from his earlier, formalist, abstractions: they are abstraction vivified...

Author: By Nadia ANYMONE Michelle berenstein, | Title: Wols (Wolfgang Otto Schulze) | 3/19/1999 | See Source »

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