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What becomes a diva most? Part ownership of Planet Hollywood is good, but a Polaroid camera is better. DEMI MOORE has snapped a self-portrait (yes, that's her) and penned a piece for Details' Mondo Hollywood issue. Apparently, divadom isn't all it's cracked up to be. Moore complains of being thrown onto powdered cement, walking "small, repetitive distances in uncomfortable shoes" and standing around in a G-string with tissues stuffed up her nose. "I have even gone so far as to roll around in a semiclad state on piles of money and Michael Douglas," she says...

Author: /time Magazine | Title: People, Jan. 15, 1996 | 1/15/1996 | See Source »

...Waiting to Exhale sound track is a virtual Who's Who of divadom, as compiled by Houston and the album's producer-composer, Kenneth ("Babyface") Edmonds. Along with Houston, the album features numbers by such highly regarded R.-and-B. performers as Toni Braxton, Aretha Franklin and Mary J. Blige. Yet Houston more than holds her own, particularly on Why Does It Hurt So Bad, with its masterly balance of pop zip and soulful melancholy. She was an enthusiastic advocate of the idea that the album should feature only women--a popular concept these days, with such recent all-female...

Author: /time Magazine | Title: WHITNEY HOUSTON: NO MISS PRISSY | 12/4/1995 | See Source »

Annie Lennox follows "Diva," her aptly titled 1992 album of her original music with a recording of 10 old and new songs written by others. "In Divadom," says TIME's Richard Corliss, "an album needs only one great song. Medusa has two." The first, a cover of "No More 'I Love You's,'" is an evocation of love's demons in which a woman's bed of sad passion telescopes into a child's bedroom fears. A reworking of Paul Simon's "Something So Right" closes out the album and answers the pessimism of the first tune with a simple...

Author: /time Magazine | Title: MUSIC . . . MEDUSA | 7/28/1995 | See Source »

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