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...PARTICULARLY poignant moment in Jean Jacques Beineix's new movie Diva. Cynthia Hawknis, the striking Black soprano of the title, and her adoring fan Jules stroll through the streets of a rainy and ancient Paris. Floating serenely across grassy parks and statue-ridden boulevards, the pair find themselves suspended in a world more appropriate to the match-making machinations of Maurice Chevalier in Gigi than to the high tech high punk goings-on of the film's other characters. Hawkins carries a ruffled parasol, and young Jules, wearing the kind of lean and hungry look that only a European...

Author: By Sarah Paul, | Title: Scenes of Paris | 10/6/1982 | See Source »

When the lovers awake the next morning in Diva's hotel suite, the camera pans lovingly over every elegant, sun-drenched detail--embroidered sheets, flowers, lacy curtains, Hawkins' sculpted profile--before coming to rest on a sleeping, naked Jules. After a few moments of admiring contemplation, it pans back to reveal a delightful surprise: The boy has spent the night not, as the viewer assumes, between his siren's sheets but chastely on her couch...

Author: By Sarah Paul, | Title: Scenes of Paris | 10/6/1982 | See Source »

...Diva is filled with moments like this, incidents that deliberately give an edge to what might otherwise seem like over-serious cinematic cliches. Although the film's near-perfection would excuse almost any minor directorial excess, it is nevertheless wonderful when an unexpected twist--for instance that a sadistic punk in aviator glasses, army boots and an earplug has in fact been listening to accordion music, of all things--startles the audience out of its complacency. One of the nicest things about Diva is its ability to generate goose-pimpling suspense while laughing, just a little, at the classical suspense...

Author: By Sarah Paul, | Title: Scenes of Paris | 10/6/1982 | See Source »

...film's two plots--one dealing with Jules' obsession with the diva and the other, with the sleazy operations of something called the "Caribbean Connection"--revolve around the time-honored devices of mistaken identity and unwitting involvement in crime. When Jules illicitly tapes a Hawkins concert, he becomes the object of a sinister gang of Taiwanese sporting mirror-sunglasses who are trying to obtain pirated recordings of the famous singer. (For "artistic reasons," Hawkins has always refused to make records). And when a prostitute escaping from the "Caribbean Connection" (which seems to have something to do with white slavery...

Author: By Sarah Paul, | Title: Scenes of Paris | 10/6/1982 | See Source »

WHAT PUTS DIVA in a class above the usual plotty thriller is its bizarre setting. There are no romantic sidewalk cafes or sunsets over the Eiffel Tower in this Paris. Instead, the viewer enters a world of neon and cellophane and leather--a world in which vast underground garages contain video palaces and cats have names like "Ayatollah" and everyone lives in a loft. And yet, what makes this punked-out environment intriguing is that it contains many small reminders of the old Paris. Jules first meets Alba when he watches her shoplift records in a discomat. She is dressed...

Author: By Sarah Paul, | Title: Scenes of Paris | 10/6/1982 | See Source »

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