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LIZA MINNELLI Sizzle with a Z. After 12 years away, she's Broadway's darling diva in Victor/Victoria...

Author: /time Magazine | Title: Notebook: Jan. 20, 1997 | 1/20/1997 | See Source »

...demanding of the people around her," says Parker (director of Fame and Mississippi Burning), who got the film made after at least three other directors had tried and failed. "But she's not a cliche diva stamping her foot. She's very intelligent. You've got to make sure you have the right answer when she has a question. She's a control freak, but so am I. When there was a problem, I would just say, 'Let her and me solve it.' " Madonna responds in kind: "Alan was very supportive during the shooting. He let me sort of follow...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

...Patty Loveless The Trouble with the Truth (Epic). The title may imply some kind of emotional hesitancy, but this hardscrabble country diva has no trouble whatsoever singing about betrayal, abuse, loneliness--and the against-all-odds will to survive. Her versions of nifty dirges by Gary Nicholson, Richard Thompson and Matraca Berg are less interpretations than rites of down-home exorcism...

Author: /time Magazine | Title: MUSIC: THE BEST MUSIC OF 1996 | 12/23/1996 | See Source »

...most ways The Preacher's Wife is as traditional a Christmas confection as fossilized fruitcake. It has a big budget, big stars and a heartwarming rendition of Joy to the World. The songs are sung by diva Whitney Houston, who plays the wife of a disillusioned minister. Her co-star, Denzel Washington, is a sexy angel who wants to save Houston's neighborhood church as well as her troubled marriage. On paper, the movie looks as if it has all the ingredients for a box-office slam dunk. But there's one thing missing: white people...

Author: /time Magazine | Title: CINEMA: TESTING THE FAITH | 12/16/1996 | See Source »

...henchmen to work her will and is still thwarted by the combined wit of what appears to be most of the Britain's fauna. For us dog saps, it is especially nice to see cuddlesomely real pooches instead of drawn ones doing smart-pet tricks. Fans of the high-diva mode will doubtless feel the same about Glenn Close's Cruella. In (creepy) flesh and (chilly) blood, the character is more fun for grownups than she was as an animated abstraction of evil...

Author: /time Magazine | Title: JINGLING ALL THE WAY TO THE OLD DALMATIAN FARM | 12/2/1996 | See Source »

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