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...take her picture. She agreed and -- voila! -- Dalle soon appeared on her first magazine cover, followed last summer by an Elle magazine story using her face and cleavage to herald the return of the well-rounded figure. Her acting debut in Betty Blue, a steamy art flick by Diva Director JeanJacques Beineix, caused a sensation in France. Dalle is not overly impressed with her visage. "My skull is too flat, my ears stick out, my mouth is too big, my belly too round and my buttocks too heavy," she has observed. But Dominique Besnehard, the hot casting director who picked...

Author: /time Magazine | Title: People: Nov. 17, 1986 | 11/17/1986 | See Source »

...title role in Puccini's Madama Butterfly every year since she was 19 years old. Inevitably, Soprano Renata Scotto has developed some strong ideas about the role. Now she has a chance to test them: next month, in a revived production of Butterfly, Scotto will become the first diva ever to direct herself at the Met. "I'm really looking forward to seeing the role from another perspective," she admits. There is a disadvantage to wearing two hats, of course. "I'm used to relaxing in the dressing room when I'm not in rehearsals, or during the show...

Author: /time Magazine | Title: People: Aug. 25, 1986 | 8/25/1986 | See Source »

...Diva...

Author: NO WRITER ATTRIBUTED | Title: WHAT IS TO BE DONE? | 8/15/1986 | See Source »

Every opera fan knows how high Tosca bounced, when the next swan left and what Maria Callas thought of Renata Tebaldi; disasters, bons mots and bitchy remarks seem integral to the art. Ethan Mordden, who knows his way around backstage (Demented: The World of the Opera Diva; The Splendid Art of Opera), has gleefully amassed hundreds of such anecdotes, exchanges and choice bits of opera lore, along with some less celebrated stories. "Yet there is history here," he says, "for if many of the tales are silly, many others are telling...

Author: /time Magazine | Title: Bookends: Feb. 24, 1986 | 2/24/1986 | See Source »

...story should seem familiar: 1984 a year late. But as in so many key movies of the decade (Blade Runner, Diva, the Mad Max films), texture is text here, submerging the plot in a garage sale of 20th century detritus. Brazil is a place, like Stalin's Russia or the British welfare state, where everything is planned but nothing quite works. A Rube Goldberg spy machine kibitzes with a roving bloodshot electronic eye, then wheels away in a deranged gait. Giggling plastic surgeons do their "snip snip slice slice" with metal clamps and Saran Wrap...

Author: /time Magazine | Title: Cinema: Happy Ending for a Nightmare Brazil | 12/30/1985 | See Source »

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