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Word: dixieland (lookup in dictionary) (lookup stats)
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...mainly because of the inability of many people to separate Chicago Jazz from the Chicagoans. Chicago jazz was the music of a group of young white musicians playing from about 1925 to 1932. It was characterized by artistic economy, the use of short phrases, and a large amount of Dixieland ensemble...

Author: By L. R., | Title: SWING | 4/28/1943 | See Source »

...form of two fine albums of re-issue, one Victor and one Brunswick, now a Decca subsidiary. The Brunswick has the edge in quality, and the advantage of having many sides unavailable for more than ten years. "Birmingham Breakdown" is remarkable for being the only Ellington with a Dixieland breakdown ending, and "Wall Street Wail" has always been one of my favorites...

Author: By Eugene Benyas, | Title: SWING | 4/12/1943 | See Source »

When a Sweet Swing devotee tries to struggle out of the ooze and goo that is Lombardo, and investigate this thing called jazz, he is generally licked from the start. He is seized upon by friends steeped in jazz lore and subjected to Gutbucket Gus and his Dixieland Breakdowners. Appalled by the seemingly mad confusion of growl trumpets and crisscrossing trombones, he yields himself again to the blandishments of the Kysers and the Kayes, who, if cloying, are at least comprehensible...

Author: By Hallowell Bowser, | Title: Swing | 10/6/1942 | See Source »

...also argue all night as to whether is a Chicago style, but Davison's six-piece combo plays differently than Scabby Lewis at the Savoy, and differently than Red Allen or Frankic Newton, whose bands were recently in Boston. They play old Dixieland tunes like "Fidgety Feet" and "Oh Baby," and blow the roof off in the process. But you don't mind the plaster falling all around you. Not when Davison plays cornet out of the side of his mouth, with's wonderful husky flavor like Berigan or Spanier. Not when PeeWee chortles his notes sometimes with an amazingly...

Author: NO WRITER ATTRIBUTED | Title: SWING | 8/14/1942 | See Source »

...Boogie-woogie and the Blues. So conceived and so dedicated, it has endured since 1940, giving twelve of NBC's staff musicians a weekly opportuni ty to cut "Maestro"' loose Paul with Laval the and joint "Dr." Henry conductors, ("Hot-lips'") Levine (trumpeter with the Original Dixieland Jazz Band...

Author: /time Magazine | Title: Radio: Basin Street Blues | 4/27/1942 | See Source »

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