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Word: dixielanders (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Orleans' Municipal Auditorium, as the audience sat listening to Guest Conductor Leopold Stokowski lead the Philharmonic Symphony Orchestra through Manuel de Falla's El Amor Brujo, the unmistakable Dixieland beat of a jazz orchestra scorched through from an adjoining ballroom. Stokowski stabbed the air with his baton, stopped his orchestra and said: "New Orleans is the only city in the world where you can buy one ticket and get two concerts." Then he retired to the wings until the competing orchestra, playing for a pre-Mardi Gras carnival ball, had stopped. Said the jazz-band leader later...

Author: /time Magazine | Title: People, Feb. 16, 1953 | 2/16/1953 | See Source »

Through the streets they pranced, gorgeous and irrepressible, beating drums, blowing horns, hopping over the open sewers to the tune of the Third Man Theme played by a marching Dixieland band, sometimes dancing a quaint, shuffling samba, some balancing trays of chewing gum and candies on their heads...

Author: /time Magazine | Title: AFRICA: Sunrise on the Gold Coast | 2/9/1953 | See Source »

...arranging got him high marks, and he worked for such bandleaders as Tommy Tucker and Claude Thornhill, looking for ideas in his favorite composers -Stravinsky, Ravel, Prokofiev and Bach. When he turned to playing, he could blow ragtime, Dixieland, the blues and bop, but he refused to be categorized: "It would be senseless to start playing and sound like anybody else...

Author: /time Magazine | Title: Music: Counterpoint Jazz | 2/2/1953 | See Source »

...Tribute to Jazz, Ltd. (Jazz, Ltd. LP). A Chicago jive joint honors itself. Trombonist Miff Mole, Trumpeter Doc Evans & Co. provide the music: Tin Roof Blues, High Society, Jazz Me Blues, Charleston, done at length (eight minutes each) in easygoing Dixieland style...

Author: /time Magazine | Title: Music: New Pop Records, Jul. 21, 1952 | 7/21/1952 | See Source »

...Special Thought. But there was too much of the old music in him for that; friends pried him back to Dixieland. "I didn't know whether I could stand it," he says, "but I wanted to play the old music -the two-beat, the natural beat (once you get into the four-beat, you begin to jump up & down)-just once more before I died." He was afraid the "kids wouldn't like it," incredulously found there was an eager new generation that "doesn't even remember Benny Goodman...

Author: /time Magazine | Title: Music: Dixieland Revisited | 6/30/1952 | See Source »

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