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Word: dixielanders (lookup in dictionary) (lookup stats)
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...Ragtime Jimmy" played in the classic razzmatazz style- heavy chording in the bass and light finagling in the treble-of which he is still in perfect possession. He worked in a motley of joints, including Chinatown's Chatham Club. Around 1916 Jimmy got together a five-piece Dixieland combination for the Club Alamo in Har lem. Their output is best described by their leader: '"When we played a fox trot in dem days, we had to put up a sign and say 'Fox Trot' so a guy could know what to expect. . . . Playin' pianner...

Author: /time Magazine | Title: Radio: Jimmy, That Well-Dressed Man | 1/24/1944 | See Source »

...Jazz Club will present its ninth concert of the season at Jordan Hall on Sunday afternoon at 3 P.M., featuring the Original Dixieland Jazz Band, with Brad Gowans, Bobby Hackett, Eddie Edwards, Tony "Spargo" Sbarbaro and Teddy Roy. Edwards and Sbarbaro were charter members of the group that made jazz history over a quarter-century ago. Gowans, who organized the present group and Hackett are well known to followers of dixieland jazz for their work with various small bands in New York Boston and Chicago...

Author: By S/sgt GEORGE Avakian, | Title: JAZZ, ETC. | 1/21/1944 | See Source »

This was a poor imitation of the sensational Original Dixieland Jazz Band, then making the word jazz famous. But after two years Lewis left Rector's with a reputation for the musical clowning that has remained his stock in trade for a generation. It was on the curb outside Rector's that he acquired the battered, furry top hat which W. C. Fields later taught him to twirl with uncanny virtuosity. Lewis won it in a crap game from the driver of a hansom...

Author: /time Magazine | Title: Music: Is Everybody Happy? | 11/22/1943 | See Source »

...improvised jamming of the "session." Around them these men have built up a large number of fine musicians, but their music is not Chicago jazz. Perhaps the name for it would be the jam style, an indefinite sort of term at best, combining the essence of New Orleans and Dixieland, and Chicago...

Author: By L. R., | Title: SWING | 4/28/1943 | See Source »

There is nothing left of Chicago style. Bud Freeman employs endless quantities of notes, as do many others, the short phrase has been substituted for long, closely-connected solos countless times, the ensemble was really Dixieland in the first place. There are only a group of men, the Chicagoans, and they are truly great...

Author: By L. R., | Title: SWING | 4/28/1943 | See Source »

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