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...When DJ Lethal joined Limp Bizkit a few months before the band recorded its debut album, he changed its sound. "It was more of a punk band--it had a punk edge," says Lethal, a Latvian emigre who had been a member of the Irish-American hip-hop band House of Pain. "What I brought in was more of a hip-hop side." He is working on a solo album...

Author: /time Magazine | Title: Music: Rock's New Spin | 10/18/1999 | See Source »

...DJ Homicide was working as a hip-hop radio deejay in Los Angeles before he joined the pop-rock band Sugar Ray in 1994. At first he was a mere sideman--on the band's 1995 album Lemonade and Brownies; he's not even in the group photo on the back cover. Then again, the picture is a supremely geeky shot of the band riding on a roller coaster, so maybe being left out was a blessing in disguise. In any case, Homicide says, today he's "cut in on publishing and merchandising, and I'm a full-fledged member...

Author: /time Magazine | Title: Music: Rock's New Spin | 10/18/1999 | See Source »

...rock bands are part of a new multidimensional wave of artists who, instead of composing with just notes, compose with whole chunks of songs. The second school of thought holds that people in the first school are what's wrong with education today. Says Jim Tremayne, editor of DJ Times: "It seems to me some rock bands are just trying to cultivate an air of coolness with the kids...

Author: /time Magazine | Title: Music: Rock's New Spin | 10/18/1999 | See Source »

There are also those who question whether deejay culture is being homogenized by merging with rock. DJ Premier has been busy of late: he collaborated with Limp Bizkit, he provided scratching on Lilith Fair veteran Paula Cole's new album and he worked on rapper Mos Def's brilliant new CD, Black on Both Sides (Rawkus). It's a sign of how divided feelings are that, on his album, Mos Def takes a lyrical swipe at hip-hop tinged rock-pop acts, including one his producer DJ Premier worked with, Limp Bizkit. "I ain't tryin' to slow your groove...

Author: /time Magazine | Title: Music: Rock's New Spin | 10/18/1999 | See Source »

...producing a grating sound and a disturbing cacophony amidst Victor's clever performance. The drummer, J.D. Blaine, amazed and amused. Even one beat of his drum prompted audience response; he possessed a zany aura that fed into Victor's desire for fun and crazy musical progression. The band's DJ also kept the crowd going, playing Jackson 5 and old school hip-hop, with Wooten's contributions. The combination of the DJ and Wooten brought out some of Wooten's best slapping technique...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Swoonin' Wooten at the House of Blues | 10/15/1999 | See Source »

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