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...uniquely human expression, despite what any killer sex-bot might try and tell you.With the exception of a tribute to the high school prom scene from the 1999 teen-classic film “She’s All That” (the one where Usher serves as DJ) in “Eyes Wide Shut” and a tour-de-force solo effort by Mollie K. Wright ’09, who is also a Crimson arts editor, in “The Real High School Musical,” the rest of the second half...

Author: By Jesse Zwick, CONTRIBUTING WRITER | Title: ‘Ex-Static’ Strives for Motion | 12/16/2007 | See Source »

...most original performance of the night came right before the intermission. “Flicker,” choreographed by Continuing Education and Special Programs Instructor Brenda S. Divelbliss, offered an interesting—though dark—perspective on ballet. Electronic contemporary music, namely DJ Alexandre’s “Toma Toma,” inspired an unconventional blend of ballet and break dancing. The combination was ideal for Shee, who stood out as the only male in the show. The eight female dancers, clad in disheveled, sequined tutus of varying lengths and colors gave a performance...

Author: By Giselle Barcia, CRIMSON STAFF WRITER | Title: Standout Solos Make ‘Modern Muses’ Mesmerizing | 12/16/2007 | See Source »

...Who’s going to make more money than their daddy?” the DJ asks. He pauses. “That better be everybody...

Author: By Lois E. Beckett, CRIMSON STAFF WRITER | Title: Making It Big To Set Things Right | 11/30/2007 | See Source »

...DJ picks up his microphone. “If you know who your daddy is, make some noise!” The dancers cheer...

Author: By Lois E. Beckett, CRIMSON STAFF WRITER | Title: Making It Big To Set Things Right | 11/30/2007 | See Source »

Back at the tailgate, the DJ puts on one of Barnhill’s favorite songs...

Author: By Lois E. Beckett, CRIMSON STAFF WRITER | Title: Making It Big To Set Things Right | 11/30/2007 | See Source »

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