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...sits a few blocks away from a string of neighborhood businesses on Concord Avenue. Days usually start early in the morning for Homi K. Bhabha, at around 5:30 or 6 a.m. He writes his lectures and works until 7 a.m. or so, when he’ll take Django, his Welsh Springer Spaniel, for a walk around the neighborhood. Around 8 a.m., he shares a light breakfast of Darjeeling tea and fresh fruit with his wife. He speaks with his assistant around 9 a.m. to discuss his schedule for the day, then drives to school, although he admits...

Author: By Jane Chun, CONTRIBUTING WRITER | Title: FM Cribs Presents Homi K. Bhabha | 3/11/2010 | See Source »

Professor Bhabha and Django greeted us at the door, the morning after he returned from his trip to Germany as a keynote speaker for the Ministry of Education. Showing no signs of jetlag, Bhabha was without his signature glasses in a crisp outfit of jeans, shirt, and a sweater that, only upon a second look, revealed a mix of textures and details...

Author: By Jane Chun, CONTRIBUTING WRITER | Title: FM Cribs Presents Homi K. Bhabha | 3/11/2010 | See Source »

...lines just as well, and for a fraction of the price. And Jeff Bridges—who most forget was also an Oscar nominee for “The Contender”—is just painful as Clooney’s drugged-out mentor, Lieutenant Colonel Bill Django. The use of the actors’ names here and not those of their characters is more than mere convention; the people who inhabit “The Men Who Stare at Goats” are so simplistic that there is no chance of the actors becoming subsumed in their...

Author: By Yair Rosenberg, CONTRIBUTING WRITER | Title: The Men Who Stare at Goats | 11/6/2009 | See Source »

Justin Thompson This guy plays like Django Reinhardt, croons like Chet Baker and writes like Fats Waller. Swinging out of Nashville, he is the rowdy Harry Connick...

Author: /time Magazine | Title: Marcia Gay Harden's Short List | 2/12/2009 | See Source »

...Leone films of the 1960s and '70s, which revitalized the genre and pretty much wore it out; this one is ordinary and borderline ornery. It lacks the verve of 3:10 to Yuma, the sullen sweep of Brad Pitt's Jesse James epic, the deranged energy of Sukiyaki Western Django, to name just three oaters from last year. But in its fidelity to western verities, Appaloosa may seem radical to today's viewers. At a time when images in all visual media bombard the brain, the western - the one original American film form - moves at the pensive pace...

Author: /time Magazine | Title: Corliss on Appaloosa, an Old-School Western | 9/19/2008 | See Source »

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