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...DJs and station leaders tack up fan letters onto a board mounted in their Pennypacker Basement headquarters...

Author: By Andrew K. Mandel, CRIMSON STAFF WRITER | Title: Music for the Masses? | 10/5/1998 | See Source »

Legacy does not offer a definitive answer. Rather, the result is a schizophrenic hybrid of attempts. No artist convincingly emulates Nicks; no artist successfully reworks her material. While this is fodder for lite-radio DJs (You can hear them breathlessly plug the tribute: "Can you believe it's been 25 years since Rumours came out? Let's hear the Goo Goo Dolls rework one of our favourites!"), the ultimate effect of Legacy is to leave us wondering what to do when it hovers closer to desecration than celebration...

Author: By Joanne Sitarski, CONTRIBUTING WRITER | Title: Fueling the Baby Boomer Fire | 4/17/1998 | See Source »

...addition to his aforementioned duties,David's job entails programming and coordinatingthe combined efforts of the research, promotion,and music departments in order to bring KISSlisteners exactly what they want. Perhaps notsurprisingly, the effort involved in choosing thesongs that air is not at all simple. Everythingthat DJs such as Artie and Skip play comesstraight from a "play-list" compiled by an outsidecompany hired by the radio station. KISS 108staffers refuse to divulge the name of thiscompany...

Author: By Sara D. Reistad long, | Title: an audible kiss boston's top 40 giant | 4/16/1998 | See Source »

PLATTERS Vinyl is thriving in the digital age. Who buys LPs? Among others, jazz aficionados who want vinyl reissues and club DJs who still spin...

Author: /time Magazine | Title: Notebook: Jul. 14, 1997 | 7/14/1997 | See Source »

...station competes with other commercial Boston stations which play the same type of music, and many of which have professional DJs and large advertising budgets...

Author: By Barbara E. Martinez, | Title: ON THE AIR | 5/5/1997 | See Source »

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